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ABRSM Musical Theatre Grades 1 to 8 from 2023
Grades 4 to 8
Pieces marked [PG] may contain mature themes. Parental guidance may be required.
Grade 4 List A
| Show | Composer(s) | Piece | Details |
|---|---|---|---|
| 42nd Street | Warren & Dubin | A:1 Lullaby of Broadway (without repeat) | Ready to Sing… Broadway – Book only – with audio (Alfred), C/F (C4–D5) The ABRSM Singing for Musical Theatre Songbook, Grade 4 (ABRSM), C/F |
| A Funny Thing Happened on the Way to the Forum | Stephen Sondheim | A:2 Lovely | The Singer’s Musical Theatre Anthology, Soprano Vol. 4 (Hal Leonard), B (C+ 4–F5) |
| An American in Paris | Gershwin | A:3 Shall We Dance♭ | An American in Paris: vocal selections (Hal Leonard), E b (B b3–D b5) |
| Anything Goes | C. Porter | A:27 It’s De-Lovely | Anything Goes: vocal selections (revival edition) (Alfred), F (C4–F5), The Best of Cole Porter (Faber), F, Cole Porter 100th Anniversary (Alfred), F |
| Beauty and the Beast | Alan Menken & Tim Rice | A:24 How Does a Moment Last Forever♭ (straight to coda after b. 51) |
Beauty and the Beast: film vocal selections (Hal Leonard), B b (G3–E b5) |
| Bombay Dreams | A.R. Rahman | A:28 The journey home (one verse only; ending top of p. 7; ad libs optional) | The journey home, 🕮 |
| Calamity Jane | Fain & Webster | A:4 My Secret Love | Stage & Screen – The White Book (Wise), E b (B b3–E b5), (refrain only, with suitable intro), The ABRSM Songbook Plus, Grade 4 (ABRSM), E b, (chorus only, with suitable intro) Calamity Jane: vocal score (Faber) D, (figs 2–6 only) |
| The Civil War | Frank Wildhorn & Jack Murphy | A:33 Father, How Long♭ (without repeat) | Father, How Long♭, 🕮 |
| Cover Girl | Kern & I. Gershwin | A:5 Long ago and far away | The Essential Jerome Kern Song Book (Wise), G (C4–F5), The Definitive Jazz Collection (2nd edition) (Hal Leonard–Faber), F, (refrain only), The ABRSM Songbook, Book 4 (ABRSM), F |
| Fiddler on the Roof | Bock & Harnick | A:6 Matchmaker | Fiddler on the Roof: vocal selections (Wise), F (C4–F5), The ABRSM Singing for Musical Theatre Songbook, Grade 4 (ABRSM), F, Stage & Screen – The Black Book (Wise), F |
| Flower Drum Song | Rodgers & Hammerstein | A:25 My Best Love | My Best Love, 🕮 |
| For Me and My Gal | Meyer, Leslie & Goetz | A:7 For Me and My Gal | 100 Years of Popular Music: 1900 (Faber), G (C+ 4–D5), (without DC) The Best of Singing, Grades 4–5 (high voice) (Faber), G The Best of Singing, Grades 4–5 (low voice) (Faber), F |
| Guys and Dolls | Frank Loesser | A:34 More I Cannot Wish You | Guys and Dolls 🕮, D (D4–D5) |
| Gypsy | Styne & Stephen Sondheim | A:31 Small World | The Singer’s Musical Theatre Anthology, Mezzo-Soprano/Belter Vol. 2 – Book only or Audio access (Hal Leonard), B (F+ 3–A + 4) |
| Half a Sixpence | Heneker (& Anthony Drewe) | A:26 I Know What I Am | Half a Sixpence: original vocal score (Faber), G/D b (C4–B4) |
| A:8 Long Ago | Half a Sixpence: vocal selections (Faber), D (C+ 4–B4) | ||
| Hello, Dolly! | Jerry Herman | A:29 Elegance | Hello Dolly!: vocal selections (Hal Leonard), F (C4–F5) |
| House | C. Coleman | A:30 Why Try to Change Me Now (ending top of p. 4) | Why Try to Change Me Now, 🕮 B b (F3–G4) |
| Jekyll & Hyde | Frank Wildhorn & Bricusse | A:9 No One Knows Who I Am | Jekyll & Hyde: vocal selections (Cherry Lane Music Company), G min (C4–D5) |
| Jesus Christ Superstar | Andrew Lloyd Webber & Tim Rice | A:10 Pilate’s Dream | The Singer’s Musical Theatre Anthology, Baritone/Bass Vol. 2 – Book only – with Audio access (Hal Leonard), B b min (A3–B b4) |
| The King and I | Rodgers & Hammerstein | A:11 Hello, young lovers | The Singer’s Musical Theatre Anthology, Soprano Vol. 4 (revised edition) (Hal Leonard), D (B3–D5) The King and I: vocal selections (Williamson), C The Rodgers & Hammerstein Collection (Williamson), C |
| Les Misérables | Claude-Michel Schönberg & Alain Boublil | A:12 Drink with me | Les Misérables: stage vocal selections (Wise), F (D4–E b5) The Singer’s Musical Theatre Anthology, Baritone/Bass Vol. 5 (Hal Leonard), F |
| Nine | Maury Yeston | A:13 Only With You (without repeat) | Nine: vocal selections (2003 edition) (Cherry Lane Music Company), E b (A3–F5) |
| Over the Moon | Curtis, Duffield & Park | A:32 Rocket to the Moon (starting at b. 38) | Over the Moon: vocal selections (Hal Leonard), D (G3–F5) |
| Pocahontas | Alan Menken & Stephen Schwartz | A:14 Colors of the Wind | Colors of the Wind, 🕮 B b (F3–C5) |
| The Prom | Matthew Sklar & Chad Beguelin | A:15 We Look to You | We Look to You, 🕮 C (F+ 3–C5) |
| Singin’ in the Rain | Brown & Freed | A:16 You Were Meant for Me | Singin’ in the Rain: vocal selections (50th Anniversary Edition) (Alfred), F (C4–E b5) The ABRSM Singing for Musical Theatre Songbook, Grade 4 (ABRSM), F |
| The Sound of Music | Rodgers & Hammerstein | A:17 The Sound of Music | The Broadway Ingénue: 37 Theatre Songs for Soprano – Book only – with audio access – (Hal Leonard), G (E4–E5) The Sound of Music: vocal selections (revised edition) (Williamson), F The Rodgers & Hammerstein Collection (Williamson), F The Singer’s Musical Theatre Anthology, Soprano Vol. 2 (revised edition) (Hal Leonard), F |
| Top Hat | I. Berlin | A:18 Cheek to Cheek | The Best of Singing, Grades 4–5 (high voice) (Faber), C (B3–E5) The Best of Singing, Grades 4–5 (low voice) (Faber), B b |
| West Side Story | L. Bernstein & Stephen Sondheim | A:19 I feel pretty (without repeat) | I feel pretty (Boosey & Hawkes), F (C4–G5), West Side Story: vocal selections (new edition) (Boosey & Hawkes), F The ABRSM Songbook, Book 4 (ABRSM), F |
| A:20 One Hand, One Heart (without repeat) | One Hand, One Heart (Boosey & Hawkes), E b (E b4–E b5), Singing Time! Grade 4 (Bosworth), E b The ABRSM Songbook, Book 4 (ABRSM), E b, West Side Story: vocal selections (new edition) (Boosey & Hawkes), D, (up to key-change) |
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| Whistle Down the Wind | Andrew Lloyd Webber & Jim Steinman | A:21 Whistle down the wind | The Singer’s Musical Theatre Anthology, Soprano Vol. 3, Book only or with Audio Access (Hal Leonard), D (D4–D5) |
| Willy Wonka and the Chocolate Factory / Charlie and the Chocolate Factory | Bricusse & Newley | A:22 Pure Imagination | Willy Wonka and the Chocolate Factory: film vocal selections (Hal Leonard), E b (B b3–F5), (without repeat), Charlie and the Chocolate Factory: The New Musical: vocal selections (Hal Leonard), D, (ending b. 37) The ABRSM Singing for Musical Theatre Songbook, Grade 4 (ABRSM), D b, (straight to coda after b. 26) |
| The Wizard of Oz | Arlen & Harburg | A:23 Over the Rainbow (original Arlen version only) | The Wizard of Oz: vocal selections (Alfred), E b (C4–F5), (chorus only, with suitable intro; 70th Anniversary Deluxe Songbook not suitable for exam use), Stage & Screen – The Black Book (Wise), E b, (with suitable intro) The Harold Arlen Songbook (Hal Leonard–Faber), E b, (chorus only, with suitable intro) The Best of Singing, Grades 4–5 (high voice) (Faber), E b The Best of Singing, Grades 4–5 (low voice) (Faber), C The ABRSM Songbook Plus, Grade 4 (ABRSM), E b, (chorus only, with suitable intro) |
| Wonderland | Kate Belcher | A:35 All Alone in Wonderland (without repeats) | All Alone in Wonderland, 🕮, C min (C4–D5),0 Wonderland (The School Musicals Company), C min |
Grade 4 List B
| Show | Composer (s) | Piece | Details |
|---|---|---|---|
| Baby | Richard Maltby Jr & David Shire | B:1 I Chose Right (ending b. 40) | The Singer’s Musical Theatre Anthology, Tenor Vol. 6 (Hal Leonard), G (D4–E5) |
| Bat Out of Hell The Musical | Jim Steinman | B:2 Heaven can wait (pp. 1–6 with suitable ending) | Heaven can wait, 🕮 G (D4–E5) |
| Billy Elliot | Elton John & Lee Hall | B:3 Electricity | The ABRSM Singing for Musical Theatre Songbook, Grade 4 (ABRSM), D (A3–B4), Electricity, 🕮 D |
| Blood Brothers | Willy Russell | B:4 I’m Not Saying a Word | Blood Brothers: vocal selections (Wise), A (E4–F+5) The ABRSM Singing for Musical Theatre Songbook, Grade 4 (ABRSM), A |
| Bright Star | Edie Brickell & Steve Martin | B:28 If you knew my story (ending at b. 80) | Bright Star: vocal selections (Hal Leonard), G (G3–D5), If you knew my story, 🕮 G |
| Encanto | Lin-Manuel Miranda | B:34 Surface Pressure (cut bb. 13–37; with D.S. al Coda) | Encanto: vocal selections (Hal Leonard), E min (G3–D5) |
| Everybody’s Talking About Jamie | Tom MacRae & Dan Gillespie Sells | B:5 It Means Beautiful (without DS, go to 2nd bar of coda) | It Means Beautiful, 🕮 F+ min (F+ 3–C +5) |
| B:6 If I Met Myself Again (cut bb. 41–55) | If I Met Myself Again, 🕮 E b (E b3–B b4) | ||
| Fame The Musical | Leslie & Michael Gore | B:7 Out Here on My Own (without repeat) | Teen Pop Broadway Collection (Cherry Lane Music Company), G (G3–C +5) |
| Freaky Friday | Tom Kitt & Brian Yorkey | B:8 After All of This and Everything | After All of This and Everything, 🕮 A b (F3–D b5) |
| B:9 Just one day (ending b. 82) | Just one day, 🕮 C (G3–C5) | ||
| Grease | Casey & Jim Jacobs | B:10 Freddy, My Love (without verse 2) | Grease: vocal selections (20th Anniversary Edition) (IMP), D (C+ 4–B4) |
| Groundhog Day The Musical | Tim Minchin | B:11 Everything About You | Everything About You, 🕮 D (F+ 3–G4) |
| Hercules | Alan Menken & David Zippel | B:12 I Won’t Say (I’m in Love) | Contemporary Musical Theatre for Teens, Young Women’s Edition Vol. 1 (Hal Leonard), C (G3–C5) |
| High School Musical 2 | David Lawrence & Faye Greenberg / Adam Watts & Andy Dodd | B:25 Fabulous (without repeat; cut bb. 47–54; ending b. 65) | Fabulous, 🕮 C (G3–E b5) |
| B:13 Gotta Go My Own Way | Gotta Go My Own Way, 🕮, (cut 3rd bar of p. 4 to 6th bar of p. 6) | ||
| La La Land | Justin Hurwitz, Benj Pasek & Justin Paul | B:14 Audition (The Fools Who Dream) | La La Land: vocal selections (Faber), F (G3–B4) |
| The Lion King | Elton John & Tim Rice | B:15 Circle of Life (once through; Lin Marsh arrangement only) | Songscape: Stage and Screen (Faber), A (B3–E5) The Faber Music Theatre Songbook (Faber), A |
| The Little Mermaid | Alan Menken & Ashman / Alan Menken & Glenn Slater | B:29 Kiss the Girl | The Little Mermaid: film vocal selections (Hal Leonard), C (A3–C5) The Little Mermaid: stage vocal selections (Hal Leonard), F |
| B:16 Part of Your World | The Little Mermaid: film vocal selections (Hal Leonard), F (C4–C5) | ||
| B:17 The World Above | The Little Mermaid: stage vocal selections (Hal Leonard), G (D4–D5) The ABRSM Singing for Musical Theatre Songbook, Grade 4 (ABRSM), G Contemporary Musical Theatre for Teens, Young Women’s Edition Vol. 1 (Hal Leonard), G |
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| Matilda The Musical | Tim Minchin | B:18 Naughty (cut bb. 54–130) | Matilda The Musical: vocal selections (Wise), F (A3–D5) The ABRSM Songbook Plus, Grade 4 (ABRSM), F |
| Once | Glen Hansard & Markéta Irglová | B:30 Falling Slowly (any one verse) | Once: vocal selections (Alfred), C (G3–G5) |
| Pippin | Stephen Schwartz | B:31 Magic to Do (ending on p. 6) | Pippin: vocal selections (updated edition) (Alfred), A min (E4–A5) |
| Polkadots | Douglas Lyons | B:32 Sticks and stones | Sticks and stones, 🕮 E (B3–F+5), Sticks and stones, 🕮 E |
| Pretty Woman The Musical | Bryan Adams & Jim Vallance | B:19 This Is My Life | This Is My Life, 🕮 D (A3–D5) |
| The Princess and the Frog | Randy Newman | B:20 Almost There | The Princess and the Frog: vocal selections (Hal Leonard), C (G3–C5) |
| Ride the Cyclone | Brooke Maxwell & Jacob Richmond | B:35 Sugar Cloud (bb. 34–68 only) | Sugar Cloud, 🕮 D (A3–D5) |
| Sister Act | Alan Menken & Glenn Slater | B:21 Sister Act | Sister Act: vocal selections (Faber), B b (F3–B4) The ABRSM Singing for Musical Theatre Songbook, Grade 4 (ABRSM), B b |
| Soho Cinders | George Stiles & Anthony Drewe | B:36 Gypsies of the Ether (cut bb. 55–127; either vocal line from b. 128 onwards) | Gypsies of the Ether, 🕮 A (E4–E5) |
| Song and Dance | Andrew Lloyd Webber & Don Black | B:22 Take That Look off Your Face (without repeats) | The Singer’s Musical Theatre Anthology, Mezzo-Soprano/Belter Vol. 5 (Hal Leonard), D b (G b3–D b5), Stage & Screen – The Black Book (Wise), D |
| Soul | C. Mayfield | B:33 It’s All Right | Soul: vocal selections (Hal Leonard), D (A4–C + 6), It’s All Right, 🕮 D |
| South Pacific | Rodgers & Hammerstein | B:26 Happy Talk (without verses 2 & 3) | South Pacific: vocal selections (Williamson), F (C4–D5) South Pacific: vocal score (Williamson), D |
| Toy Story | Randy Newman | B:27 You’ve Got a Friend in Me | The Illustrated Treasury of Disney Songs (7th edition) (Hal Leonard), E b (E b4–F5) |
| When Midnight Strikes | Kevin Hammonds & Charles Miller | B:23 I Never Learned to Type (cut bb. 22–37 & 83–90) | I Never Learned to Type, 🕮B b (F+ 3–B b4) |
| The Wind in the Willows | George Stiles & Anthony Drewe | B:24 A Place to Come Back To (from b. 22, cut bb. 75–110, ending b. 144) | A Place to Come Back To 🕮 C (C4–F5) |
| Woman of the Year | Kander & Ebb | B:37 Sometimes A Day Goes By | Sometimes A Day Goes By, 🕮 B b (A3–C5) |
Grade 4, List C
| Show | Composer (s) | Piece | Details |
|---|---|---|---|
| 42nd Street | Warren & Dubin | C:1 You’re Getting to Bea Habit with Me | 42nd Street: vocal selections (Faber), F (D4–E5) |
| A Funny Thing Happened on the Way to the Forum | Stephen Sondheim | C:2 Comedy Tonight | The Best of Singing, Grades 4–5 (high voice) (Faber), G (A3–E5) The Best of Singing, Grades 4–5 (low voice) (Faber), F Songscape: Stage and Screen (Faber), G, (melody line bb. 44–48) The Stephen Sondheim Collection (Hal Leonard), G |
| The Addams Family | Andrew Lippa | C:3 The Moon and Me (ending b. 65) | The Addams Family: vocal selections (Hal Leonard), C (C4–E5) |
| C:4 What if | The Addams Family: vocal selections (Hal Leonard), D (A3–D5) | ||
| Aladdin | Alan Menken & Chad Beguelin | C:23 Somebody’s Got Your Back (singing any part when lines divide) | Aladdin: Broadway vocal selections (Hal Leonard), C (C4–A5) |
| Annie | Charles Strouse & Martin Charnin | C:5 Easy Street | Annie: vocal selections – Book only – with Audio (Faber), A min (G3–F5), (all parts) The ABRSM Singing for Musical Theatre Songbook, Grade 4 (ABRSM), A min |
| Annie Get Your Gun | I. Berlin | C:6 You Can’t Get a Man with a Gun (without repeat) |
Annie Get Your Gun: vocal selections (Hal Leonard), F (C4–D5) |
| Barnum | Coleman & Stewart | C:7 Out There | Barnum: vocal selections (Hal Leonard), C (B b3–E b5) The ABRSM Singing for Musical Theatre Songbook, Grade 4 (ABRSM), C |
| Calamity Jane | Fain & Webster | C:8 (Just blew in from the) Windy City (cut figs 4–10; singing Calamity part from fig. 11) | Calamity Jane: vocal score (Faber), C (G3–C5) |
| Camelot | Lerner & Loewe | C:31 The Seven Deadly Virtues | The Seven Deadly Virtues, 🕮 A min (C4–D5) |
| Cinderella | Rodgers & Hammerstein | C:9 Stepsisters’ Lament | The ABRSM Singing for Musical Theatre Songbook, Grade 4 (ABRSM), C (C4–D5) The Singer’s Musical Theatre Anthology, Mezzo-Soprano/Belter Vol. 1 (revised edition) (Hal Leonard), C |
| Elf the Broadway Musical | Matthew Sklar | C:26 World’s Greatest Dad (cut bb. 48–100) | World’s Greatest Dad, 🕮 G (B3–G5) |
| Flower Drum Song | Rodgers & Hammerstein | C:10 I Enjoy Being a Girl | The Singer’s Musical Theatre Anthology, Mezzo-Soprano/Belter Vol. 1 (revised edition) (Hal Leonard), D (A3–C +5) |
| I Love You, You’re Perfect, Now Change | Jimmy Roberts & Joe DiPietro | C:32 The Baby Song | The Singer’s Musical Theatre Anthology, Baritone/Bass Vol. 3 – Book only – with Audio access(Hal Leonard), D (C+ 4–D5) The Baby Song, 🕮 D |
| Kiss Me, Kate | C. Porter | C:11 Always True to You in My Fashion (without repeat) |
Kiss Me, Kate: vocal selections (Alfred), C (C4–D5) The Singer’s Musical Theatre Anthology, Mezzo-Soprano/Belter Vol. 1 (revised edition) (Hal Leonard), A, (from b. 17) |
| Legally Blonde The Musical | Laurence O’Keefe & Nell Benjamin | C:12 Ireland | Contemporary Musical Theatre for Teens, Young Women’s Edition Vol. 1 (Hal Leonard), B (A3–B4) |
| Little Shop of Horrors | Alan Menken & Ashman | C:13 Dentist! (with spoken section; cut bb. 33–43) | Little Shop of Horrors: film vocal selections (Alfred), F (C4–E5) |
| My Fair Lady | Lerner & Loewe | C:14 With a Little Bit of Luck | My Fair Lady: vocal selections (Alfred), C (G3–E5) |
| Oklahoma! | Rodgers & Hammerstein | C:15 The Surrey with the Fringe on Top (cut bb. 5–20; verse 1 or 2, once through) | Oklahoma!: vocal selections (Williamson), G (C+ 4–D5) The Rodgers & Hammerstein Collection (Williamson), G |
| Oliver! | Bart | C:16 Consider yourself | Oliver! stage vocal selections (Lakeview Music), G (A3–C5), (up to key-change) Junior Songscape (Faber) G, The ABRSM Songbook, Book 4 (ABRSM), G |
| C:24 It’s a Fine Life (all parts) | Oliver! stage vocal selections (Lakeview Music), A b (Ab3–D5) | ||
| The Princess and the Frog | Randy Newman | C:27 Down in New Orleans | Hit Songs from Animated Movies (Wise), C (G3–E b5) The Princess and the Frog: vocal selections (Hal Leonard), C |
| C:28 Gonna Take You There | The Princess and the Frog: vocal selections (Hal Leonard), A (C+ 4–A5) | ||
| Rapunzel | Youn Young Park & Susannah Pearse | C:29 Stuck in a tower | Stuck in a tower, 🕮 D (A3–A5) |
| Seussical The Musical | Stephen Flaherty & Lynn Ahrens | C:17 A Day for the Cat in the Hat (singing any part on pp. 32 & 33 where lines divide) | Seussical The Musical: vocal selections (Alfred), G (E4–E5) |
| C:18 How Lucky You Are | Seussical The Musical: vocal selections (Alfred), F (C4–F5) The ABRSM Songbook Plus, Grade 4 (ABRSM), F, (upper line in bb. 23–25 & 40–41) Ready to Sing… Broadway (Alfred) F, (upper line in bb. 23–25 & 40–41) |
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| Shall We Dance♭ | G. & I. Gershwin | C:19 Let’s Call the Whole Thing Off | The Best of George Gershwin and Ira Gershwin (Faber), (D4–E5) The Great Songs of Gershwin (Alfred), (D4–E5) George Gershwin: The Definitive Songbook (Faber), (D4–E5) |
| South Pacific | Rodgers & Hammerstein | C:20 There Is Nothin’ Like a Dame | South Pacific: vocal selections (Williamson), G (D4–G5) |
| Sweet Charity | C. Coleman & Fields | C:21 If My Friends Could See Me Now | The ABRSM Singing for Musical Theatre Songbook, Grade 4 (ABRSM), E (G + 3–A4), If My Friends Could See Me Now, 🕮 E |
| Tangled | Alan Menken | C:30 Mother Knows Best | Tangled: vocal selections (Hal Leonard), F (F3–C5) |
| The Wind in the Willows | George Stiles & Anthony Drewe | C:22 A Friend Is Still a Friend (ending b. 58) | A Friend Is Still a Friend 🕮 A (A3–D5) |
| The Wiz | Smalls | C:25 Don’t Nobody Bring Me No Bad News (without DS) | The Wiz: vocal selections (Alfred), B b (G4–G5) |
Group A
Grade 5, List A
| Show | Composer (s) | Piece | Details |
|---|---|---|---|
| 42nd Street | Harry Warren | A:34 About a Quarter to Nine | 42nd Street: vocal selections (Faber), E min (A3–E5) 42nd Street: broadway musical vocal selections (Warner Bros), E min |
| The Addams Family | Andrew Lippa | A:1 Happy/Sad (cut bb. 47–66) | The Addams Family: vocal selections (Hal Leonard), D b (D b4–D b5) |
| Ain’t Misbehavin’ | Brooks, ‘Fats’ Waller & Razaf | A:2 Ain’t misbehavin’ | The Definitive Jazz Collection (2nd edition) (Hal Leonard–Faber), E b (E b4–F5), Stage & Screen – The White Book (Wise), C |
| An American in Paris | G. & I. Gershwin | A:3 I’ve Got Beginner’s Luck | An American in Paris: vocal selections (Hal Leonard), G b (D b4–E b5) |
| Anyone Can Whistle | Stephen Sondheim | A:4 With so little to be sure of | The Stephen Sondheim Collection (Hal Leonard), C (B3–E5), (end at 13th bar of p. 18, with suitable ending) The Singer’s Musical Theatre Anthology, Baritone/Bass Vol. 5 (Hal Leonard), C (C4–E5) |
| Anything Goes | C. Porter | A:36 Goodbye, Little Dream, Goodbye | Anything Goes: vocal selections (revival edition) (Alfred), F (A3–E b5) |
| Babes in Arms | Rodgers | A:37 My Funny Valentine | The Singer’s Musical Theatre Anthology, Soprano Vol. 1, Book only or with Audio Access (revised edition) (Hal Leonard–Faber), C + min (C+ 4–E5), My Funny Valentine, 🕮 C min |
| Between the Lines | Elyssa Samsel & Kate Anderson | A:45 Start Again Tomorrow | Start Again Tomorrow, 🕮 G (G3–D5) |
| Big Fish | Andrew Lippa | A:5 I Don’t Need a Roof (cut bb. 34–64) | Big Fish: vocal selections (Hal Leonard), C (G3–D5) |
| Blood Brothers | Willy Russell | A:30 Tell me it’s not true (without DS, straight to 4th bar of coda) | Blood Brothers: vocal selections (Wise), F (F3–C5) |
| Broken Wings | Dana Al Fardan & Nadim Naaman | A:43 Prologue: Heart of the Earth | Prologue: Heart of the Earth, 🕮, E min (B3–A b5) |
| Calamity Jane | Fain & Webster | A:6 Higher Than a Hawk | Calamity Jane: vocal score (Faber), E b (B b3–D5) |
| Can-Can | C. Porter | A:7 I Love Paris | The Best of Cole Porter (Faber), (C4–E5) Cole Porter 100th Anniversary (Alfred), (C4–E5) |
| Evening Primrose | Stephen Sondheim | A:8 I remember | The Singer’s Musical Theatre Anthology, Soprano Vol. 3, Book only or with Audio Access (Hal Leonard), A min (C4–D5) |
| Evita | Andrew Lloyd Webber & Tim Rice | A:9 Don’t Cry for Me Argentina (ending b. 54) | The Singer’s Musical Theatre Anthology, Mezzo-Soprano/Belter Vol. 1 (revised edition) (Hal Leonard), D b (Ab3–D b5), Don’t Cry for Me Argentina, 🕮 D b |
| A:38 High flying, adored | The Singer’s Musical Theatre Anthology, Tenor Vol. 2, Book only or with Audio Access (Hal Leonard), F (B b3–G5), High flying, adored, 🕮 E b |
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| Flora, the Red Menace | Kander & Ebb | A:10 A Quiet Thing | The Singer’s Musical Theatre Anthology, Soprano Vol. 4 (Hal Leonard), A (G + 3–E5) |
| Flower Drum Song | Rodgers & Hammerstein | A:31 Love, Look Away | The Big Book of Broadway, 4th edition (Hal Leonard), C (B3–E5) The Rodgers & Hammerstein Collection (Williamson), C The Singer’s Musical Theatre Anthology, Soprano Vol. 1, Book only or with Audio Access (revised edition) (Hal Leonard), E b |
| George White’s Scandals of 1922 | G. Gershwin, I. Gerswhin & De Sylva | A:11 I’ll Build a Stairway to Paradise (without repeats) | The ABRSM Songbook Plus, Grade 5 (ABRSM), C (C4–F5) |
| The Goldwyn Follies | G. & I. Gershwin | A:12 Love Walked In | The Best of George Gershwin and Ira Gershwin (Faber), E b (B b3–F5) The Great Songs of Gershwin (Alfred), E b George Gershwin: The Definitive Songbook (Faber), E b The ABRSM Songbook, Book 5 (ABRSM), E b |
| The Happy Time | Kander & Ebb | A:13 I don’t remember you | The Singer’s Musical Theatre Anthology, Baritone/Bass Vol. 3 – Book only – with Audio access(Hal Leonard), D (A3–E5) |
| Hello, Dolly! | Jerry Herman | A:14 Ribbons Down My Back | Hello Dolly!: vocal selections (Hal Leonard), D min (A3–D5) |
| The Hunchback of Notre Dame | Alan Menken & Stephen Schwartz | A:15 God Help the Outcasts (without repeat; this version only) | Kids’ Musical Theatre Collection, Vol. 2 (Hal Leonard), C/D (B3–D5) |
| Into the Woods | Stephen Sondheim | A:16 No One Is Alone | The ABRSM Singing for Musical Theatre Songbook, Grade 5 (ABRSM), D b (B b3–D b5) The Stephen Sondheim Collection (Hal Leonard), D b |
| Jekyll & Hyde | Frank Wildhorn & Leslie Bricusse | A:17 Lost in the darkness | Jekyll & Hyde: vocal selections (Cherry Lane Music Company), G + min (G + 3–E5) The Singer’s Musical Theatre Anthology, Baritone/Bass Vol. 3 – Book only – with Audio access(Hal Leonard), G + min |
| A:18 Once Upon a Dream | Jekyll & Hyde: vocal selections (Cherry Lane Music Company), E/F+ (B3–C +5) The Singer’s Musical Theatre Anthology, Soprano Vol. 3, Book only or with Audio Access (Hal Leonard), E/G b |
||
| The King and I | Rodgers & Hammerstein | A:19 I have dreamed | The Broadway Ingénue: 37 Theatre Songs for Soprano – Book only – with audio access – (Hal Leonard), F (C4–G5) The King and I: vocal selections (Williamson), E b The Rodgers & Hammerstein Collection (Williamson), E b |
| Kismet | Wright & Forrest (based on Borodin) | A:32 Baubles, Bangles and Beads | The Singer’s Musical Theatre Anthology, Soprano Vol. 5 (Hal Leonard), A b (E b4–A b5) Baubles, Bangles and Beads, 🕮 A b |
| Lady in the Dark | Weill & I. Gershwin | A:20 My Ship | Weill From Berlin to Broadway (Hal Leonard), F (C4–F5) The Definitive Jazz Collection (2nd edition) (Hal Leonard–Faber), F The ABRSM Songbook, Book 5 (ABRSM), F |
| The Legend of Sleepy Hollow | Eamonn O’Dwyer | A:39 The Tale of the Whippoorwill | The Tale of the Whippoorwill, 🕮 D b (Ab3–D b5) |
| Man of La Mancha | Leigh & Darion | A:46 Man of La Mancha | The Singer’s Musical Theatre Anthology, Baritone/Bass Vol. 1 – Book only – with Audio access (Hal Leonard), C min (C4–D5), Man of La Mancha, 🕮 C min |
| Marguerite | Legrand, Alain Boublil & Kretzmer | A:21 China Doll | Marguerite: vocal selections (Hal Leonard), E min (B3–D5) The ABRSM Singing for Musical Theatre Songbook, Grade 5 (ABRSM), E min |
| Me and Juliet | Rodgers & Hammerstein | A:22 No Other Love | The ABRSM Singing for Musical Theatre Songbook, Grade 5 (ABRSM), C min (C4–F5) The Rodgers & Hammerstein Collection (Williamson), C min |
| Me and My Girl | N. Gay | A:23 Leaning on a lamp-post | Me and My Girl: vocal selections 🕮 C (C4–E5) The ABRSM Singing for Musical Theatre Songbook, Grade 5 (ABRSM), C The Singer’s Musical Theatre Anthology, Baritone/Bass Vol. 2 – Book only – with Audio access (Hal Leonard), B b, (first four pages only) |
| Minnie’s Boys | Hackady & Larry Grossman | A:24 Mama, a Rainbow | The Singer’s Musical Theatre Anthology, Baritone/Bass Vol. 3 – Book only – with Audio access(Hal Leonard), A (A3–E5) |
| My Fair Lady | Lerner & Loewe | A:25 I could have danced all night | The Broadway Ingénue: 37 Theatre Songs for Soprano – Book only – with audio access – (Hal Leonard), C (B3–G5) The Singer’s Musical Theatre Anthology, Soprano Vol. 1, Book only or with Audio Access (revised edition) (Hal Leonard), C, Stage & Screen – The Black Book (Wise), C, (with repeat) |
| A:26 On the Street Where You Live | The Singer’s Musical Theatre Anthology, Tenor Vol. 1 (revised edition) (Hal Leonard), C (C4–F5), (without instrumental section on p. 150) | ||
| My Favorite Year | Stephen Flaherty | A:40 If the World Were Like the Movies | If the World Were Like the Movies, 🕮 B (G + 3–E5) |
| A New Brain | William Finn | A:42 I’d Rather Be Sailing | I’d Rather Be Sailing, 🕮 F (F4–G b5) |
| Nine | Maury Yeston | A:27 Getting Tall | Nine: vocal selections (2003 edition) (Cherry Lane Music Company), E b (B b3–G5) |
| The Secret Diary of Adrian Mole Aged 133/4 | Pippa Cleary & Jake Brunger | A:44 Perfect Mother | Perfect Mother, 🕮, G b (B b3–D b5) |
| Shall We Dance♭ | Gershwin | A:35 They Can’t Take That Away from Me | 50 Gershwin Classics (Alfred), E b (B b3–E b5) George Gershwin: The Definitive Songbook (Faber), E b |
| Singin’ in the Rain | Brown & Freed | A:28 Would You♭ (ending b. 51; final 2 bars may be sung 8ve higher) | Singin’ in the Rain: vocal selections (50th Anniversary Edition) (Alfred), E b (B b3–E b5) |
| South Pacific | Rodgers & Hammerstein | A:33 Bali Ha’i (with repeat, cut 8th–31st bars of refrain 2nd time) | The Big Book of Broadway, 4th edition (Hal Leonard), F (C4–D5) The Rodgers & Hammerstein Collection (Williamson), F |
| Sweeney Todd | Stephen Sondheim | A:47 Pretty Women (this version only) | The Stephen Sondheim Collection (Hal Leonard), G (C4–E5), Pretty Women, 🕮 G |
| The Woman in White | Andrew Lloyd Webber | A:41 You Can Get Away with Anything | The Woman in White: vocal selections (Really Useful Group), B b (C4–F5), (without encore; no repeat), You Can Get Away with Anything, 🕮 B, (without encore; cut p. 3 b. 4 to top of p. 4) |
| Wonderful Town | L. Bernstein, Comden & Green | A:29 A little bit in love | Wonderful Town: vocal selections (Boosey & Hawkes), F (C4–C +5), (cut bb. 11–34) The Graded Song Collection (Faber), F, (cut bb. 1–16) |
Grade 5, List B
| Show | Composer (s) | Piece | Details |
|---|---|---|---|
| Amélie The Musical | Nathan Tysen & Daniel Messe | B:1 Times Are Hard for Dreamers | Amélie: A new musical: vocal selections (Hal Leonard), E b (Ab3–D5) |
| The Band’s Visit | David Yazbek | B:2 Omar Sharif | The Band’s Visit: A new musical: vocal selections (Hal Leonard), B min (F+ 3–C5) |
| Broken Wings | Dana Al Fardan & Nadim Naaman | B:39 Spirit of the Earth (ending b. 43, with suitable ending) | Spirit of the Earth, 🕮 music/, D min (E3–C5) |
| Chess | Benny Andersson, Tim Rice & Björn Ulvaeus | B:3 Someone Else’s Story (cut bb. 20–35) | The Singer’s Musical Theatre Anthology, Mezzo-Soprano/Belter Vol. 2 – Book only or Audio access (revised edition) (Hal Leonard), G b (F3–C5) |
| Coco | arr. Germaine Franco | B:33 La Llorona | Coco: vocal selections (Hal Leonard), E min (F+ 4–A5) |
| The Color Purple | Brenda Russell, Willis & Stephen Bray | B:4 Too Beautiful for Words | The Color Purple: vocal selections (Hal Leonard), D b (E b3–B b4) The Contemporary Singing Actor, Women’s Voices Vol.1 (3rd edition) (Hal Leonard), D b The Singer’s Musical Theatre Anthology, Mezzo-Soprano/Belter Vol. 5 (Hal Leonard), D b |
| Curtains | Kander & Ebb | B:40 Coffee Shop Nights (ending b. 48) | The Singer’s Musical Theatre Anthology, Baritone/Bass Vol. 5 (Hal Leonard- Faber), E (G3–D b5) |
| Dreamgirls | Henry Krieger & Eyen | B:29 Family (from b. 10) | Dreamgirls: film vocal selections (Hal Leonard), G (D4–E5) |
| Freaky Friday | Tom Kitt & Brian Yorkey | B:5 No More Fear | No More Fear, 🕮 A (A3–D5) |
| Frozen | Kristen Anderson-Lopez & Robert Lopez | B:6 True Love | Frozen: stage vocal selections (Hal Leonard), B b (F3–D5) |
| Going Under | Colleen Dauncey | B:35 Stepping Stone (from b. 21 with suitable intro) | Stepping Stone, 🕮 G (G3–D5) |
| Grease | John Farrar / Scott Simon & Louis St. Louis | B:7 Hopelessly Devoted to You (straight to coda after b. 48) |
Grease: vocal selections (20th Anniversary Edition) (IMP), A (E3–D5) |
| B:8 Sandy | Grease: vocal selections (20th Anniversary Edition) (IMP), F (C4–B b5) | ||
| Groundhog Day The Musical | Tim Minchin | B:9 Night Will Come (any two verses) | The ABRSM Singing for Musical Theatre Songbook, Grade 5 (ABRSM), F min (A b3–E b5), Night Will Come, 🕮 F min |
| Hairspray | Marc Shaiman & Scott Wittman | B:10 It Takes Two (without first repeat) | Hairspray: vocal selections (Hal Leonard), A (E4–A5) The ABRSM Singing for Musical Theatre Songbook, Grade 5 (ABRSM), A |
| Jagged Little Pill | Alanis Morissette & Glen Ballard | B:36 Perfect | Jagged Little Pill: vocal selections (Hal Leonard), A b (E b4–A b5), Perfect, 🕮 A b |
| James and the Giant Peach | Benj Pasek & Justin Paul | B:12 On Your Way Home | On Your Way Home, 🕮 G (B3–G5) |
| Kinky Boots | Cynthia Lauper | B:13 Step One (cut bb. 33–59) | Kinky Boots: vocal selections (Alfred), D b (Ab4–A5), Step One 🕮 D b |
| A Little Princess | Andrew Lippa & Brian Crawley | B:14 Live Out Loud | Contemporary Musical Theatre for Teens, Young Women’s Edition Vol. 2 (Hal Leonard), A (A3–C +5) |
| Little Voice | Sara Bareilles | B:30 Little Voice | Little Voice, 🕮 G (F+ 3–D5) |
| The Louder We Get | Colleen Dauncey | B:37 Infinite (cut bb. 19–38) | Infinite, 🕮 A/D (F+ 3/B3–D5/G5) |
| Lyle, Lyle, Crocodile | Benj Pasek & Justin Paul | B:41 Top of the World | Lyle, Lyle, Crocodile: Music from the Original Motion Picture Soundtrack (Hal Leonard), D (A3–A5), Top of the World, 🕮 D |
| Mamma Mia! | Benny Andersson & Björn Ulvaeus | B:15 Slipping through my fingers (bb. 1–47 only, without repeat) | Mamma Mia! vocal selections (Wise), (A3–C5) The ABRSM Singing for Musical Theatre Songbook Plus, Grade 5 (ABRSM), (A3–C5) |
| Mean Girls | Jetf Richmond & Nell Benjamin | B:16 What’s Wrong With Me♭ | Mean Girls: vocal selections (Hal Leonard), C (G3–E5) The ABRSM Singing for Musical Theatre Songbook, Grade 5 (ABRSM), C, What’s Wrong With Me♭, 🕮 C |
| Moana | Lin-Manuel Miranda | B:17 How Far I’ll Go | Moana: vocal selections (Hal Leonard), E (B3–D5) |
| Moulin Rouge! | Will Jennings & Joe Sample | B:18 One Day I’ll Fly Away | One Day I’ll Fly Away, 🕮 B (F+ 3–D5) |
| Movin’ Out | Billy Joel | B:19 She’s got a way | The Singer’s Musical Theatre Anthology, Tenor Vol. 5 (Hal Leonard), G (D4–G5) |
| Mulan | Matthew Wilder & David Zippel | B:20 Reflection | Disney Ingénue Songbook (Hal Leonard), F (G3–D b5) |
| Pocahontas | Alan Menken & Stephen Schwartz | B:21 Just around the Riverbend | The ABRSM Singing for Musical Theatre Songbook, Grade 5 (ABRSM), C (G3–E5) Disney Ingénue Songbook (Hal Leonard), C |
| Pretty Woman The Musical | Bryan Adams & Jim Vallance | B:22 Freedom (cut bb. 22–48) | Freedom, 🕮 A b (E b4–F5) |
| The Rocky Horror Show | Richard O’Brien | B:31 Hot Patootie – Bless My Soul | The Rocky Horror Show: vocal selections (40th Anniversary Songbook) (Hal Leonard), A (F+ 4–F+5) |
| The Secret Garden | Lucy Simon & Marsha Norman | B:23 Hold On | The Secret Garden: vocal selections (Alfred), C + min (F3–B4) The Singer’s Musical Theatre Anthology, Mezzo-Soprano/Belter Vol. 2 – Book only or Audio access (revised edition) (Hal Leonard), C + min |
| Something Rotten | Karey & Wayne Kirkpatrick | B:42 To Thine Own Self Be True (Reprise) | Something Rotten: vocal selections (Hal Leonard), D (D4–F+5), To Thine Own Self Be True (Reprise), 🕮 D |
| Tangled | Alan Menken & Glenn Slater | B:24 When Will My Life Begin♭ | Tangled: vocal selections (Hal Leonard), E (G + 3–E5) Disney Ingénue Songbook (Hal Leonard), E The Illustrated Treasury of Disney Songs (7th edition) (Hal Leonard), E |
| Tell Me on a Sunday | Andrew Lloyd Webber | B:38 Nothing like you’ve ever known (without instrumental) | Nothing like you’ve ever known, 🕮 G + min (G + 3–C +5) |
| Toy Story 2 | Randy Newman | B:25 When She Loved Me | The Illustrated Treasury of Disney Songs (7th edition) (Hal Leonard), F (G3–F5) |
| Tuck Everlasting | Chris Miller & Nathan Tysen | B:26 Everlasting | Tuck Everlasting: vocal selections (Hal Leonard), B b (B b3–D5) |
| When Midnight Strikes | Kevin Hammonds & Charles Miller | B:27 Let Me Inside | Let Me Inside, 🕮 C (A3–E b5) |
| Wicked | Stephen Schwartz | B:28 I’m Not That Girl | Wicked: vocal selections (Hal Leonard), A (E3–B4) Contemporary Musical Theatre for Teens, Young Women’s Edition Vol. 1 (Hal Leonard), A |
| The Wiz | Smalls | B:32 What would I do if I could feel♭ | The Wiz: vocal selections (Alfred), D (B3–F+5) |
Grade 5, List C
| Show | Composer (s) | Piece | Details |
|---|---|---|---|
| The 25th Annual Putnam County Spelling Bee | William Finn | C:1 My Friend, the Dictionary (cut bb. 59–73; sing p. 29 as one character; sing Olive part from p. 30) | The 25th Annual Putnam County Spelling Bee: vocal selections (Alfred), F (B3–D5) |
| 9 to 5 The Musical | Dolly Parton | C:2 Backwoods Barbie | 9 to 5 The Musical: vocal selections (Hal Leonard), B (E3–C +5) The ABRSM Singing for Musical Theatre Songbook, Grade 5 (ABRSM), B |
| A Funny Thing Happened on the Way to the Forum | Stephen Sondheim | C:22 That’ll Show Him | The Singer’s Musical Theatre Anthology, Soprano Vol. 1, Book only or with Audio Access (revised edition) (Hal Leonard), F (C4–G5) |
| The Addams Family | Andrew Lippa | C:23 In the Arms (Mal part) | The Addams Family: vocal selections (Hal Leonard), C (G3–F5) |
| Barnum | Coleman & Stewart | C:3 Museum Song | Barnum: vocal selections (Hal Leonard), C (C4–E5) |
| Beauty and the Beast | Alan Menken & Tim Rice | C:4 Me (without spoken sections) | The Singer’s Musical Theatre Anthology, Baritone/Bass Vol. 3 – Book only – with Audio access (Hal Leonard), E (B3–F5) |
| The Boy Friend | Sandy Wilson | C:5 It’s Nicer in Nice | The Singer’s Musical Theatre Anthology, Soprano Vol. 4 (Hal Leonard), G (D4–G5) |
| Brenda Bly: Teen Detective | Kevin Hammonds & Charles Miller | C:24 Stu | Stu, 🕮 G (G3–D5) |
| Cabaret | Kander & Ebb | C:25 Cabaret | The Complete Cabaret Collection (Hal Leonard), A (E3–C5), (cut bb. 102–141) Cabaret, 🕮 A, (cut 1st bar of p. 6 to 5th bar of p. 8) Cabaret, 🕮 B b (F3–E5), (cut 1st bar of p. 7 to 9th bar of p. 8) |
| Chicago | Kander & Ebb | C:26 Razzle Dazzle (without repeat; lower line in bb. 39–41) | Chicago: movie vocal selections (Faber), F (C4–F5) |
| C:6 When You’re Good to Mama | Chicago: movie vocal selections (Faber), F min (F3–A b4) | ||
| The Drowsy Chaperone | Lisa Lambert & Greg Morrison | C:27 Show Off | The Singer’s Musical Theatre Anthology, Mezzo-Soprano/Belter Vol. 5 (Hal Leonard), B b (G3–C5), Show Otf, 🕮 B b |
| Fun Home | Jeanine Tesori & Lisa Kron | C:7 Ring of Keys | Ring of Keys, 🕮 E (B3–E5), Ring of Keys, 🕮 E |
| Just So | George Stiles & Anthony Drewe | C:8 Thick Skin (from b. 31) | Thick Skin, 🕮 A b (C3–G4) |
| Kicks: The Showgirl Musical | Alan Menken & Eyen | C:9 I Wanna Be a Rockette | Alan Menken Songbook (Hal Leonard), C (G3–B4) |
| Kinky Boots | Cynthia Lauper | C:28 The History of Wrong Guys (cut bb. 59–84) | Kinky Boots: vocal selections (Alfred), B b (B b3–D5) |
| Little Shop of Horrors | Alan Menken & Ashman | C:10 Grow for Me | Little Shop of Horrors: film vocal selections (Alfred), E b (B b3–E b5) |
| Mack & Mabel | Jerry Herman | C:34 Wherever He Ain’t | Mack & Mabel: vocal selections (Faber), A min (A3–C5) |
| Meet Me in St Louis | Blane & H. Martin | C:11 The Trolley Song | 100 Years of Popular Music: 40s Vol. 1 (Faber), E b (D4–E b5) The Best of Singing, Grades 4–5 (high voice) (Faber), E b The Best of Singing, Grades 4–5 (low voice) (Faber), D b |
| Moana | Lin-Manuel Miranda | C:12 You’re Welcome (rap optional; singing upper line bb. 73–89) | Moana: vocal selections (Hal Leonard), C (A3–A5) The ABRSM Singing for Musical Theatre Songbook, Grade 5 (ABRSM), C |
| Oliver! | Bart | C:29 Reviewing the Situation (cut bb. 56–95) | Oliver! stage vocal selections (Lakeview Music), F min (C4–F5) |
| On the Town | L. Bernstein, Comden & Green | C:14 Ya Got Me | On the Town: vocal selections (Alfred), C min (G3–E b5) |
| Once Upon a Mattress | Mary Rodgers & Barer | C:15 Shy | The Singer’s Musical Theatre Anthology, Mezzo-Soprano/Belter Vol. 2 – Book only or Audio access (revised edition) (Hal Leonard), A (B3–C +5) |
| The Sound of Music | Rodgers | C:30 I Have Confidence (from b. 30) | The Sound of Music: vocal selections (revised edition) (Williamson), (B3–F5) |
| South Pacific | Rodgers & Hammerstein | C:16 Honey Bun | South Pacific: vocal score (Williamson), E b (B b3–B b4), (cut bb. 45–80. end at b. 93) South Pacific: vocal selections (Williamson), E b, (once through; straight to 3rd ending) The ABRSM Singing for Musical Theatre Songbook, Grade 5 (ABRSM), E b, (without repeat) |
| Street Scene | Weill & L. Hughes | C:31 Wouldn’t you like to be on Broadway♭ (cut bb. 41–48) | The Singer’s Musical Theatre Anthology, Baritone/Bass Vol. 2 – Book only – with Audio access (Hal Leonard), G (D4–F5) |
| Tuck Everlasting | Chris Miller & Nathan Tysen | C:17 Good Girl Winnie Foster | Tuck Everlasting: vocal selections (Hal Leonard), G b (G b3–E b5) |
| Twelfth Night | Shaina Taub | C:33 Greatness | Greatness, 🕮 F (D4–G5) |
| Whoop Dee Doo! | Gallagher & Mark Waldrop | C:18 Last One Picked | The Singer’s Musical Theatre Anthology, Baritone/Bass Vol. 3 – Book only – with Audio access (Hal Leonard), F (B b3–E5) |
| The Wind in the Willows | George Stiles & Anthony Drewe | C:32 The Amazing Mr Toad (Toad part; cut bb. 121–180; ending b. 194) | The Amazing Mr Toad 🕮 D (D4–A5) |
| Young Frankenstein | Mel Brooks | C:19 Listen to Your Heart | The Singer’s Musical Theatre Anthology, Soprano Vol. 6 (Hal Leonard), (B b3–E b5) |
| You’re a Good Man, Charlie Brown | Gesner / Andrew Lippa | C:20 The Kite | The ABRSM Singing for Musical Theatre Songbook, Grade 5 (ABRSM), E b (B b3–E b5) The Singer’s Musical Theatre Anthology, Baritone/Bass Vol. 4 (Hal Leonard), E b |
| C:21 My New Philosophy (without vamp sections; with short ending) | Contemporary Musical Theatre for Teens, Young Women’s Edition Vol. 2 (Hal Leonard), G (B3–D5) The Singer’s Musical Theatre Anthology, Mezzo-Soprano/Belter Vol. 3 (Hal Leonard), G |
Grade 6, List A
| Show | Composer (s) | Piece | Details |
|---|---|---|---|
| The 45th Marvellous Chatterley Village Fete | Rebecca Applin | A:49 The White Elephant Stall (cut bb. 20–35) | The White Elephant Stall, 🕮 D (G3–D5) |
| Allegiance | Jay Kuo | A:50 Higher | Higher, 🕮 E b (G3–D5) |
| Anything Goes | C. Porter | A:1 I Get a Kick out of You | The Best of Cole Porter (Faber), E b (C4–F5) Cole Porter 100th Anniversary (Alfred), E b The Singer’s Musical Theatre Anthology, Mezzo-Soprano/Belter Vol. 2 – Book only or Audio access (revised edition) (Hal Leonard), C |
| The Baker’s Wife | Stephen Schwartz | A:2 Where Is the Warmth♭ | Where Is the Warmth♭, 🕮 A (G + 3–C +5) |
| Beauty and the Beast | Alan Menken & Tim Rice | A:3 A Change in Me | Beauty and the Beast: The Broadway Musical: vocal selections (Hal Leonard), A (E3–C5) The Singer’s Musical Theatre Anthology, Mezzo-Soprano/Belter Vol. 3 (Hal Leonard), A |
| A:4 Home (without repeat) |
Beauty and the Beast: The Broadway Musical: vocal selections (Hal Leonard), G/D (G3–E5) Contemporary Musical Theatre for Teens, Young Women’s Edition Vol. 2 (Hal Leonard), G/D |
||
| Born to Dance | C. Porter | A:5 I’ve got you under my skin | The Best of Cole Porter (Faber), E b (B b3–F5) The Definitive Jazz Collection (2nd edition) (Hal Leonard–Faber), E b Cole Porter 100th Anniversary (Alfred), E b |
| Carmen Jones | Bizet & Hammerstein | A:48 Dat’s Love | Carmen Jones: vocal selections (Williamson), D min (D4–F+5) |
| Carousel | Rodgers & Hammerstein | A:6 Mister Snow | Carousel: vocal selections (Williamson), E b (B b3–E b5) The Rodgers & Hammerstein Collection (Williamson), E b The Singer’s Musical Theatre Anthology, Soprano Vol. 1, Book only or with Audio Access (revised edition) (Hal Leonard–Faber), G |
| A:7 You’ll Never Walk Alone | The Rodgers & Hammerstein Collection (Williamson), C (C4–G5) The Singer’s Musical Theatre Anthology, Soprano Vol. 1, Book only or with Audio Access (revised edition) (Hal Leonard), C |
||
| Cats | Taylor Swift & Andrew Lloyd Webber | A:8 Beautiful Ghosts | Beauty and the Beast: The Broadway Musical: vocal selections (Hal Leonard)(Faber), E min (G + 3–C +5) |
| Chess | Benny Andersson, Björn Ulvaeus & Tim Rice | A:9 Anthem | The Singer’s Musical Theatre Anthology, Tenor Vol. 2, Book only or with Audio Access (Hal Leonard), D (C+ 4–G5) |
| Cinderella | Andrew Lloyd Webber & David Zippel | A:10 Far too late (cut bb. 33–72) | Far too late, 🕮 B b (G3–D5) |
| The Curious Case of Benjamin Button | Darren Clark | A:51 Time (ending at b. 44) | Time, 🕮 C (G3–C5) |
| The Fantasticks | Harvey Schmidt | A:52 Much More | The Fantasticks: vocal selections (Alfred), G (B3–F5) |
| Fiddler on the Roof | Bock & Harnick | A:11 Far from the Home I Love | Fiddler on the Roof: vocal selections (Wise), C min (C4–E5), (either lyric) The Singer’s Musical Theatre Anthology, Soprano Vol. 1, Book only or with Audio Access (revised edition) (Hal Leonard–Faber), C min |
| Flower Drum Song | Rodgers & Hammerstein | A:46 Sunday | Sunday, 🕮 C (C4–D5) |
| Follies | Stephen Sondheim | A:12 Losing My Mind (cut bb. 38–52) | The Stephen Sondheim Collection (Hal Leonard), A b (F3–A b4) |
| Golden Boy | Charles Strouse & Lee Adams | A:14 Night Song (without repeat) |
Night Song, 🕮 F (G3–E5) |
| Grey Gardens | Scott Frankel | A:53 Will You | Grey Gardens: vocal selections (Williamson), F (C4–E5) The Singer’s Musical Theatre Anthology, Soprano Vol. 5 (Hal Leonard), F, Will You, 🕮 F |
| Hallelujah Baby | Styne | A:54 Being good isn’t good enough | Being good isn’t good enough, 🕮 G (B3–D5) |
| Jekyll & Hyde | Frank Wildhorn & Leslie Bricusse | A:15 Someone Like You | Jekyll & Hyde: vocal selections (Cherry Lane Music Company), F/G b (G3–E b5) |
| Jesus Christ Superstar | Andrew Lloyd Webber & Tim Rice | A:16 I don’t know how to love him (without repeat) |
The Singer’s Musical Theatre Anthology, Mezzo-Soprano/Belter Vol. 4 (Hal Leonard), D (A3–C5) |
| Just So | George Stiles & Anthony Drewe | A:17 Does the moment ever come♭ | Does the moment ever come♭ 🕮 G (D4–E b5) |
| Les Misérables | Claude-Michel Schönberg, Alain Boublil & Jean-Marc Natel | A:18 I dreamed a dream | Les Misérables: stage vocal selections (Wise), E b (G b3–C5), Les Misérables: film vocal selections (Wise), E b |
| The Lion King | Lebo M., Hans Zimmer, Jay Rifkin, Julie Taymor & Ma | A:19 Endless Night (without repeats) | The Lion King: Broadway selections (Hal Leonard), D (D4–G5) |
| A:20 Shadowland (straight to coda after b. 42, without DS; chorus part may be sung 8ve lower) |
The Lion King: Broadway selections (Hal Leonard), C (E3–A5) | ||
| The Little Mermaid | Alan Menken & Glenn Slater | A:21 Her Voice (without repeat) | The Little Mermaid: stage vocal selections (Hal Leonard), C (D4–F+5) |
| #Love | Douglas Lyons & Ethan D. Pakchar | A:56 Who I Am | Who I Am, 🕮 C (C4–A b5) |
| Love Life | Weill & Lerner | A:22 Here I’ll Stay | Weill From Berlin to Broadway (Hal Leonard), B b (C4–E b5) |
| Matilda The Musical | Tim Minchin | A:23 My House | Matilda The Musical: vocal selections (Wise), B b (F3–E5) |
| Me and My Girl | N. Gay | A:24 Once you lose your heart | Me and My Girl: vocal selections 🕮 , D b (Ab3–D b5) The Singer’s Musical Theatre Anthology, Soprano Vol. 3, Book only or with Audio Access (Hal Leonard), D b |
| The Me Nobody Knows | Gary William Friedman & Holt | A:25 The Tree | The Me Nobody Knows: vocal selections (Hal Leonard), D (C+ 4–F+5) |
| Meet Me in St Louis | Blane & Martin | A:26 The Boy Next Door (without repeat) |
The Boy Next Door, 🕮 F (C4–D5) |
| The Music Man | Willson | A:58 Goodnight, My Someone | The Singer’s Musical Theatre Anthology, Soprano Vol. 1, Book only or with Audio Access (Hal Leonard), C (B3–E5) |
| My Favorite Year | Stephen Flaherty | A:27 Larger Than Life (cut bb. 28–36 & 68–84) | Larger Than Life, 🕮 E b (E b4–F5) |
| Oklahoma! | Rodgers & Hammerstein | A:28 Lonely Room | The Rodgers & Hammerstein Collection (Williamson), B min (D4–C +5) |
| A:29 Out of my dreams | The Singer’s Musical Theatre Anthology, Soprano Vol. 1, Book only or with Audio Access (revised edition) (Hal Leonard–Faber), A b (E b4–F5) The Broadway Ingénue: 37 Theatre Songs for Soprano – Book only – with audio access – (Hal Leonard), A b, Oklahoma!: vocal selections (Williamson), F The Rodgers & Hammerstein Collection (Williamson), F |
||
| A:30 People Will Say We’re in Love (without repeat) |
The Rodgers & Hammerstein Collection (Williamson), G (B3–E5) | ||
| Once on This Island | Stephen Flaherty & Lynn Ahrens | A:31 The Human Heart | The Human Heart, 🕮 E (B3–C5) |
| A:47 Some Girls | Once on This Island: vocal selections (Alfred), D (B3–F+5) Contemporary Musical Theatre for Teens, Young Men’s Edition Vol. 1 (Hal Leonard), D |
||
| Passion | Stephen Sondheim | A:59 No One Has Ever Loved Me | Singer’s Library of Musical Theatre, Baritone/Bass Vol. 2 (Alfred), G (B3–D5) |
| Possessed | Steven Edis | A:55 Hold still | Hold still, 🕮 F (E3–B b4) |
| Ragtime | Stephen Flaherty & Lynn Ahrens | A:57 Back to Before (without 2nd verse (pp. 90–92)) | Back to Before, 🕮 G (G3–C5) |
| A:32 Make Them Hear You | Make Them Hear You, 🕮 E b (E b4–G5) | ||
| The Scarlet Pimpernel | Frank Wildhorn & Nan Knighton | A:33 Only Love (without repeat) |
The Scarlet Pimpernel: vocal selections (Alfred), A b (B b3–E5) |
| A:34 Where’s the Girl♭ (without repeat) |
The Scarlet Pimpernel: vocal selections (Alfred), A b min (B b3–E b5) | ||
| The Secret Garden | Lucy Simon & Marsha Norman | A:35 How could I ever know♭ | The Secret Garden: vocal selections (Alfred), D b (B b3–F5) The Singer’s Musical Theatre Anthology, Soprano Vol. 2 (revised edition) (Hal Leonard–Faber), D b |
| She Loves Me | Bock & Harnick | A:36 Days Gone By | Days Gone By, 🕮 G (D4–D5) |
| A:37 Grand Knowing You | The Singer’s Musical Theatre Anthology, Baritone/Bass Vol. 5 (Hal Leonard), C (D4–A5) | ||
| Show Boat | Kern, Hammerstein & Wodehouse | A:38 Bill | Show Boat: vocal score (Wise), B b (C4–D5) The Essential Jerome Kern Song Book (Wise), B b The Singer’s Musical Theatre Anthology, Soprano Vol. 1, Book only or with Audio Access (revised edition) (Hal Leonard), B b |
| Sister Act | Alan Menken & Glenn Slater | A:39 The Life I Never Led (cut bb. 55–107) | Sister Act: vocal selections (Faber), D (A3–D5) |
| State Fair | Rodgers & Hammerstein | A:40 It Might as Well Be Spring | State Fair: vocal selections (Williamson), G (D4–D5) The Rodgers & Hammerstein Collection (Williamson), G |
| Sweeney Todd | Stephen Sondheim | A:60 The Barber and His Wife (this version only) | Singer’s Library of Musical Theatre, Baritone/Bass Vol. 2 (Alfred), G min (F4–D5) |
| A:41 Not While I’m Around | The Stephen Sondheim Collection (Hal Leonard), F (C4–F5) | ||
| Violet | Jeanine Tesori & Brian Crawley | A:42 Lay down your head | The Singer’s Musical Theatre Anthology, Mezzo-Soprano/Belter Vol. 6 (Hal Leonard), G (G3–D5) |
| West Side Story | L. Bernstein & Stephen Sondheim | A:43 Tonight | West Side Story: vocal selections (new edition) (Boosey & Hawkes), A b (B b3–F b5), (ending b. 35) |
| The Wiz | Smalls | A:44 Home (without repeat) |
The Wiz: vocal selections (Alfred), E b (B b3–G5) |
| A:45 Soon As I Get Home | The Wiz: vocal selections (Alfred), C (G3–D5) |
Grade 6 List B
| Show | Composer (s) | Piece | Details |
|---|---|---|---|
| 13 | Jason Robert Brown | B:1 What It Means to Be a Friend | Jason Robert Brown Plays Jason Robert Brown, Women’s Edition (Hal Leonard), A (A3–E5), Teen Pop Broadway Collection (Cherry Lane Music Company), A |
| Adventures in Love | Zina Goldrich & Marcy Heisler | B:2 Out of Love | The Songs of Goldrich and Heisler (Hal Leonard), A (A3–C +5) |
| Aida | Elton John & Tim Rice | B:3 Fortune Favors the Brave | Fortune Favors the Brave, 🕮 C (C4–G5) |
| B:4 The Past Is Another Land | The Past Is Another Land, 🕮 E (A3–B4) | ||
| Aladdin | Alan Menken & Ashman | B:5 Proud of your boy | Aladdin: Broadway vocal selections (Hal Leonard), D (E4–F+5) |
| Anastasia | Stephen Flaherty & Lynn Ahrens | B:6 Journey to the Past | Anastasia: stage vocal selections (Hal Leonard), C (B3–C +5) |
| B:55 For the Dreamers | For the Dreamers, 🕮 G (D4–A5) | ||
| Bend It Like Beckham | Howard Goodall & Charles Hart | B:42 Glorious (cut bb. 84–112) | Howard Goodall’s Songs from the Musicals for female voice (Faber), B (G + 3–E5) |
| Big Fish | Andrew Lippa | B:7 Fight the Dragons (cut bb. 52–82) | Big Fish: vocal selections (Hal Leonard), F (C4–G5) |
| The Boy from Oz | Peter Allen | B:56 Everything Old is New Again | Singer’s Library of Musical Theatre, Baritone/Bass Vol. 2 (Alfred), C (C4–E5) |
| Bring It On: The Musical | Tom Kitt & Amanda Green | B:8 Killer Instinct | Contemporary Musical Theatre for Teens, Young Women’s Edition Vol. 1 (Hal Leonard), A (A3–E b5) |
| A Class Act | Kleban & Brian Stein | B:9 Light on My Feet | A Class Act: vocal selections (Hal Leonard), D (B3–F+5) |
| The Clockmaker’s Daughter | Webborn & Finn | B:48 A Story of My Own | A Story of My Own, 🕮 A (A3–E5) |
| Dessa Rose | Stephen Flaherty & Lynn Ahrens | B:43 Old Banjar | Old Banjar, 🕮 B (D + 4–F+5) |
| Don’t Bother Me, I Can’t Cope | M. Grant | B:49 Thank Heaven for You (no repeat, straight to 2nd-time bar) | Thank Heaven for You, 🕮 C (C4–C5) |
| Encanto | Lin-Manuel Miranda | B:54 Waiting on a Miracle | Encanto: vocal selections (Hal Leonard), F+ min (E4–D6), (may be sung 8vb) |
| Evita | Andrew Lloyd Webber & Tim Rice | B:10 I’d Be Surprisingly Good for You | The Singer’s Musical Theatre Anthology, Mezzo-Soprano/Belter Vol. 2 – Book only or Audio access (revised edition) (Hal Leonard), E min (G + 3–D5) |
| Fangirls | Yve Blake | B:51 Wait and See | Wait and See, 🕮 D (A3–B4) |
| Godspell | Stephen Schwartz | B:11 All Good Gifts | All Good Gifts, 🕮 D (D4–A5) |
| B:12 Beautiful City (without repeat) |
Godspell: vocal selections (revised edition) (Hal Leonard), A (E4–F+5) | ||
| B:13 O bless the Lord, my soul | Godspell: vocal selections (revised edition) (Hal Leonard), A min (B3–A5) | ||
| Grand Hotel | Maury Yeston | B:14 At the Grand Hotel | The Singer’s Musical Theatre Anthology, Tenor Vol. 2, Book only or with Audio Access (Hal Leonard), A b (D4–A b5) |
| Grease | Casey & Jim Jacobs | B:15 There are worse things I could do | Grease: vocal selections (20th Anniversary Edition) (IMP), G (A3–C5) |
| Groundhog Day The Musical | Tim Minchin | B:16 Playing Nancy | Groundhog Day The Musical: vocal selections (Hal Leonard), D (F+ 3–A4), Playing Nancy, 🕮 D |
| Hairspray | Marc Shaiman & Scott Wittman | B:17 I Know Where I’ve Been (cut bb. 13–20 & 36–44) | Hairspray: vocal selections (Hal Leonard), G (E3–E b5) |
| Hamilton | Lin-Manuel Miranda | B:18 That Would Be Enough | Hamilton: vocal selections (Faber), D (A3–D5) The Contemporary Singing Actor, Women’s Voices Vol.1 (3rd edition) (Hal Leonard), D |
| I Love You, You’re Perfect, Now Change | Jimmy Roberts & Joe DiPietro | B:19 Shouldn’t I Be Less in Love with You♭ | The Singer’s Musical Theatre Anthology, Baritone/Bass Vol. 4 (Hal Leonard), C min (C4–E5) |
| If/Then | Tom Kitt & Brian Yorkey | B:20 You Learn to Live Without (cut bb. 24–45) | The Contemporary Singing Actor, Women’s Voices Vol.1 (3rd edition) (Hal Leonard), G b (G b3–D b5) The Singer’s Musical Theatre Anthology, Mezzo-Soprano/Belter Vol. 6 (Hal Leonard), G b |
| In the Heights | Lin-Manuel Miranda | B:21 Enough (Camila part) | Enough, 🕮 D b (G b3–A b4) |
| B:44 Inútil | In the Heights: vocal selections (Williamson), C (C4–E5), Inútil, 🕮 C | ||
| Is There Life After High School♭ | Craig Carnelia | B:22 The Kid Inside | The Singer’s Musical Theatre Anthology, Baritone/Bass Vol. 3 – Book only – with Audio access(Hal Leonard), G (B3–G5) |
| Joseph and the Amazing Technicolor Dreamcoat | Andrew Lloyd Webber & Tim Rice | B:23 Close every door (cut bb. 45–67) | The Big Book of Broadway, 4th edition (Hal Leonard), F min (C4–F5) |
| The Lightning Thief | Rob Rokicki | B:24 My Grand Plan | The Lightning Thief: vocal selections (Hal Leonard), A b (Ab3–E b5) |
| Little Voice | Sara Bareilles | B:25 Ghost Light (without instrumental interlude, end at 2nd bar of coda) | Ghost Light, 🕮 C (A3–F+5) |
| Little Women | Jason Howland & Mindi Dickstein | B:26 Here Alone | Little Women: vocal selections (Cherry Lane Music Company), F min (G3–E b5) |
| Marguerite | Legrand, Alain Boublil & Kretzmer | B:27 Jazz Time | Marguerite: vocal selections (Hal Leonard), B min (A3–E b5) |
| Mary Poppins Returns | Marc Shaiman & Scott Wittman | B:28 (Underneath the) Lovely London Sky (whistling optional) | Mary Poppins Returns: vocal selections (Hal Leonard), C (G3–A b5) |
| Matilda The Musical | Tim Minchin | B:29 Pathetic | Matilda The Musical: vocal selections (Wise), B b (B b3–D5) |
| Mean Girls | Jetf Richmond & Nell Benjamin | B:30 I’d Rather Be Me | Mean Girls: vocal selections (Hal Leonard), E (A3–C +5), I’d Rather Be Me, 🕮 E |
| Merrily We Roll Along | Stephen Sondheim | B:57 Good Thing Going | The Singer’s Musical Theatre Anthology, Baritone/Bass Vol. 2 – Book only – with Audio access (Hal Leonard), F (C4–F5), Good Thing Going, 🕮 F |
| Once on This Island | Stephen Flaherty & Lynn Ahrens | B:45 Come down from the tree | Come down from the tree, 🕮 F (F3–F5) |
| Ordinary Days | Adam Gwon | B:31 Favorite Places | Favorite Places, 🕮 B (B3–F+5) |
| The Prince of Egypt | Stephen Schwartz | B:32 Footprints on the Sand | The Prince of Egypt: vocal selections (Alfred), (C4–G5), Footprints on the Sand, 🕮 (C4–G5) |
| The Prom | Matthew Sklar & Chad Beguelin | B:33 Alyssa Greene | Alyssa Greene, 🕮 A b (Ab3–D b5) |
| B:34 Just Breathe | Just Breathe, 🕮 B (F+ 4–C +5) | ||
| Ragtime | Stephen Flaherty & Lynn Ahrens | B:46 Sarah Brown Eyes (as one character) | Ragtime: vocal selections (Alfred), C (A3–C5), Sarah Brown Eyes, 🕮 C |
| B:47 Wheels of a Dream (as one character) | Ragtime: vocal selections (Alfred), (Ab3–E5), Wheels of a Dream, 🕮 (Ab3–E5) | ||
| Tarzan | Phil Collins | B:35 Strangers Like Me | Contemporary Musical Theatre for Teens, Young Men’s Edition Vol. 2 (Hal Leonard), D b (E b4–G5) |
| The Unauthorized Autobiography of Samantha Brown | Kait Kerrigan & Brian Lowdermilk | B:36 Say the Word | Say the Word, 🕮 (Ab3–C5) |
| Victory | Tim Sutton | B:53 Edge of the World | Edge of the World, 🕮 F (C4–F5) |
| Wearing Someone Else’s Clothes | Jason Robert Brown | B:37 Nothing in Common (cut bb. 34–61) | The Jason Robert Brown Collection: vocal selections (Hal Leonard), C (G3–F5), Jason Robert Brown Plays Jason Robert Brown, Men’s Edition (Hal Leonard), C |
| West Side Story | L. Bernstein & Stephen Sondheim | B:38 Jet Song | West Side Story: vocal selections (new edition) (Boosey & Hawkes), B b (B b3–F5) |
| When Midnight Strikes | Kevin Hammonds & Charles Miller | B:39 A Jerk Like Me | A Jerk Like Me, 🕮 A b (D b4–G5) |
| B:40 Like Father, Like Son | Like Father, Like Son 🕮 C (G3–F5) | ||
| When Pigs Fly | Gallagher & Mark Waldrop | B:41 Laughing Matters | The Singer’s Musical Theatre Anthology, Baritone/Bass Vol. 3 – Book only – with Audio access(Hal Leonard), B b (F3–C5) |
| Not from a show | Amir Shoenfeld | B:52 I’m Your Guy | I’m Your Guy, 🕮 F (B b3–F+5) |
Grade 6, List C
| Show | Composer (s) | Piece | Details |
|---|---|---|---|
| The 25th Annual Putnam County Spelling Bee | William Finn | C:1 I speak six languages (Marcy part) | The 25th Annual Putnam County Spelling Bee: vocal selections (Alfred), G (B3–D5) Contemporary Musical Theatre for Teens, Young Women’s Edition Vol. 2 (Hal Leonard), G |
| 9 to 5 The Musical | Dolly Parton | C:2 Heart to Hart (Roz part; cut bb. 40–42) | 9 to 5 The Musical: vocal selections (Hal Leonard), E (F3–C5) |
| C:3 Here for You (cut bb. 40–60) | 9 to 5 The Musical: vocal selections (Hal Leonard), D (C+ 4–F+5) | ||
| C:4 One of the Boys (Violet part; without men’s choruses) | 9 to 5 The Musical: vocal selections (Hal Leonard), F (F3–B4), (without pp. 85 & 87) | ||
| The Addams Family | Andrew Lippa | C:5 Just Around the Corner (Morticia part) | The Addams Family: vocal selections (Hal Leonard), B min (G3–G +5) |
| Annie | Charles Strouse & Martin Charnin | C:6 Little girls | Annie: vocal selections – Book only – with Audio (Faber), E min (G + 3–C +5) |
| Anything Goes | C. Porter | C:7 Anything Goes | Anything Goes: vocal selections (revival edition) (Alfred), A b min (Ab3–C5) (without refrain 2) |
| C:44 Blow, Gabriel, Blow | Anything Goes: vocal selections (revival edition) (Alfred), E b (B b3–F5) Cole Porter 100th Anniversary (Alfred), E b |
||
| Avenue Q | Robert Lopez & Jetf Marks | C:8 Purpose | Avenue Q: vocal selections (Hal Leonard), G (B3–G5) The Singer’s Musical Theatre Anthology, Baritone/Bass Vol. 5 (Hal Leonard), G |
| Babes in Arms | Rodgers & L. Hart | C:9 The Lady Is a Tramp | The Singer’s Musical Theatre Anthology, Mezzo-Soprano/Belter Vol. 1 (revised edition) (Hal Leonard–Faber), A (A3–B4) |
| The Band’s Visit | David Yazbek | C:10 The Beat of Your Heart (Avrum part) | The Band’s Visit: A new musical: vocal selections (Hal Leonard), B b (D b4–E b5) |
| Brenda Bly: Teen Detective | Kevin Hammond & Charles Miller | C:11 I Always Get My Man | I Always Get My Man, 🕮 A (G + 3–C +5) |
| Bye Bye Birdie | Charles Strouse & Lee Adams | C:12 Kids! | Bye Bye Birdie: vocal selections (deluxe souvenir edition) (Hal Leonard), C (D4–D5) |
| Cabaret | Kander & Ebb | C:13 Don’t Tell Mama (ending b. 66) | The Complete Cabaret Collection (Hal Leonard), C min (C4–C5) |
| Falsettos | William Finn | C:49 You Gotta Die Sometime | Falsettos: vocal selections (Alfred), E min (C4–G5), You Gotta Die Sometime, 🕮 E min |
| Flower Drum Song | Rodgers & Hammerstein | C:42 Like a God | The Singer’s Musical Theatre Anthology, Tenor Vol. 2, Book only or with Audio Access (Hal Leonard), D (C+ 4–G5), Like a God, 🕮 D |
| Footloose | Tom Snow & Dean Pitchfork | C:14 Mama Says (without repeat) |
The Singer’s Musical Theatre Anthology, Tenor Vol. 3 (Hal Leonard), E b (B b3–A b5) |
| Frozen | Kristen Anderson-Lopez & Robert Lopez | C:15 In Summer | Frozen: film vocal selections (Hal Leonard), E (B3–A5) |
| Frozen 2 | Kristen Anderson-Lopez & Robert Lopez | C:16 When I Am Older | Frozen II: vocal selections (Hal Leonard), A b (E b4–A b5), When I Am Older, 🕮 A b |
| A Gentleman’s Guide to Love and Murder | Steven Lutvak & Robert L. Freedman | C:50 I Don’t Understand The Poor (start at page 3, with suitable introduction) | I Don’t Understand The Poor, 🕮 A min (B3–F5) |
| Gentlemen Prefer Blondes | Styne & Robin | C:17 Diamonds Are a Girl’s Best Friend | Diamonds Are a Girl’s Best Friend, 🕮 E b (B b3–E b5) |
| Here | Kate Marlais & Alex Young | C:45 I Don’t Hold with Making a Fuss | I Don’t Hold with Making a Fuss, 🕮 a-fuss-from-here-by-kate-marlais-and-alex-young, D (A3–D5) |
| The Hunchback of Notre Dame | Alan Menken & Stephen Schwartz | C:46 Topsy Turvy | The Hunchback of Notre Dame: stage vocal selections (Hal Leonard), D (D4–A5) |
| Into the Woods | Stephen Sondheim | C:18 Into the woods | Into the Woods: movie vocal selections (Hal Leonard), E b (B b3–E b5) |
| Kiss Me, Kate | C. Porter | C:19 I hate men | Kiss Me, Kate: vocal selections (Alfred), D min (D4–E5) |
| Little Shop of Horrors | Alan Menken & Ashman | C:20 Somewhere That’s Green | Somewhere That’s Green, 🕮 G (B3–C5) |
| Mrs Beeton Says… | Eamonn O’Dwyer | C:47 Watch the Light (from b. 8) | Watch the Light, 🕮 B b (F3–D5) |
| My Fair Lady | Lerner & Loewe | C:21 I’ve grown accustomed to her face (from b. 35; cut bb. 54–64 & 120–145) | My Fair Lady: stage vocal selections (IMP), A min (A3–B4) |
| C:22 Without You | My Fair Lady: stage vocal selections (IMP), C (B3–E b5) | ||
| Newsies | Alan Menken & Jack Feldman | C:23 That’s Rich | Newsies: stage vocal selections (Hal Leonard), B b (F3–E5) |
| Oklahoma! | Rodgers & Hammerstein | C:24 I Cain’t Say No | The Rodgers & Hammerstein Collection (Williamson), F (C4–D5) |
| Once on This Island | Stephen Flaherty & Lynn Ahrens | C:25 Mama Will Provide | Mama Will Provide, 🕮 E (B3–G +5) |
| Ordinary Days | Adam Gwon | C:26 Don’t Wanna Be Here | Don’t Wanna Be Here, 🕮 C (G3–C +5) |
| Pippin | Stephen Schwartz | C:27 Extraordinary | Pippin: vocal selections (updated edition) (Alfred), B b (C4–G5) |
| Porgy and Bess | G. & I. Gershwin and E. D. & D. Heyward | C:28 There’s a boat dat’s leavin’ soon for New York | There’s a boat dat’s leavin’ soon for New York 🕮 B b (D4–B b5) |
| Ragtime | Stephen Flaherty & Lynn Ahrens | C:29 Buffalo Nickel Photoplay, Inc. | Ragtime: vocal selections (Alfred), G (B3–F+5), Butfalo Nickel Photoplay, Inc., 🕮 G, Butfalo Nickel Photoplay, Inc., 🕮 G |
| Ruthless! | Marvin Laird & Joel Paley | C:30 Born to Entertain | Born to Entertain (Hal Leonard), C (Ab3–F b5) |
| The Scarlet Pimpernel | Frank Wildhorn & Nan Knighton | C:31 Falcon in the Dive (without repeat) |
The Scarlet Pimpernel: vocal selections (Alfred), F+ min (G + 3–C5) |
| Schmigadoon! | Cinco Paul | C:51 Kaput | Kaput, 🕮 A (G + 3–B b4) |
| Seesaw | C. Coleman & Fields | C:32 Nobody Does It Like Me | Seesaw: vocal selections (Alfred), A (B + 3–B b4) |
| Seussical The Musical | Stephen Flaherty & Lynn Ahrens | C:33 All for You | Seussical The Musical: vocal selections (Alfred), B b (D4–D5) |
| C:34 Amayzing Mayzie (Mayzie and Gertrude parts) | Seussical The Musical: vocal selections (Alfred), A (G + 3–D5) | C:35 Notice Me, Horton (Gertrude part) | Seussical The Musical: vocal selections (Alfred), C (G3–F5) |
| She Loves Me | Bock & Harnick | C:36 I resolve | I resolve, 🕮 B b (A3–B b4) |
| Shrek The Musical | Jeanine Tesori & David Lindsay-Abaire | C:37 When Words Fail | Contemporary Musical Theatre for Teens, Young Men’s Edition Vol. 1 (Hal Leonard), G (B3–F+5) |
| Starting Here, Starting Now | Richard Maltby Jr & David Shire | C:38 I Don’t Remember Christmas | Singer’s Library of Musical Theatre, Baritone/Bass Vol. 2 (Alfred), A min (C4–E5), I Don’t Remember Christmas, 🕮 A min |
| Thoroughly Modern Millie | Jeanine Tesori | C:39 Forget about the Boy (top part where lines divide) | Forget about the Boy, 🕮 F (A3–D5), Forget about the Boy, 🕮 F |
| Wonderful Town | L. Bernstein | C:48 One Hundred Easy Ways | Wonderful Town: vocal selections (Boosey & Hawkes), C (G4–A5) |
| Not from a show | Tom Lehrer | C:40 Poisoning Pigeons in the Park | Poisoning Pigeons in the Park, 🕮/ C (A3–E5) |
| Zina Goldrich & Dick Scanlan | C:41 Taylor, the Latte Boy | The Songs of Goldrich and Heisler (Hal Leonard), A (G + 3–D5) | |
| C:43 The Angel at the Top of the Tree | Darren Clark | The Angel at the Top of the Tree 🕮 A b (G3–F5) |
Grade 7, List A
| Show | Composer (s) | Piece | Details |
|---|---|---|---|
| 110 in the Shade | Harvey Schmidt & Tom Jones | A:49 Simple Little Things | The Singer’s Musical Theatre Anthology, Soprano Vol. 2 (revised edition) (Hal Leonard), D (B3–E5), Simple Little Things, 🕮 D |
| Aida | Elton John & Tim Rice | A:1 Easy as Life | Easy as Life, 🕮 C min (G3–C5) |
| A:2 I Know the Truth | I Know the Truth, 🕮 E min (E3–D5) | ||
| Anastasia | Stephen Flaherty & Lynn Ahrens | A:3 Crossing a Bridge | Anastasia: stage vocal selections (Hal Leonard), E b (G3–D5) |
| Aspects of Love | Andrew Lloyd Webber, Don Black & Charles Hart | A:4 Love changes everything | Love changes everything, 🕮 A (D4–B b5) |
| Bare | Intrabartolo | A:5 Role of a Lifetime | Role of a Lifetime, 🕮 D min (C4–G5) |
| Barnum | C. Coleman | A:52 Love Makes Such Fools of Us All | Barnum: vocal selections (Hal Leonard), G (C+ 4–G5) |
| Beauty and the Beast | Alan Menken & Tim Rice | A:6 Evermore | Beauty and the Beast: film vocal selections (Hal Leonard), F+ min (G + 3–F5) |
| Bonnie & Clyde | Frank Wildhorn & Don Black | A:7 How ’bout a dance♭ | How ’bout a dance♭, 🕮 A b (B b3–E b5) |
| The Bridges of Madison County | Jason Robert Brown | A:8 It All Fades Away (cut bb. 23–45) | The Bridges of Madison County: vocal selections (Hal Leonard), D (A3–A5), It All Fades Away, 🕮 D |
| Cats | Andrew Lloyd Webber | A:53 Memory (without instrumental) | Cats: vocal selections (Faber), B b (G3–E b5) |
| City of Angels | C. Coleman & David Zippel | A:9 Lost and found | Lost and found, 🕮 C (B3–D5) |
| Closer Than Ever | Richard Maltby Jr & David Shire | A:50 If I Sing | Closer Than Ever: vocal selections (Alfred), F+ min (A3–F5), Closer Than Ever: vocal score (Alfred), F+ min The Singer’s Musical Theatre Anthology, Baritone/Bass Vol. 3 – Book only – with Audio access(Hal Leonard), F+ min |
| Elegies | William Finn | A:10 When the Earth Stopped Turning | The Singer’s Musical Theatre Anthology, Tenor Vol. 6 (Hal Leonard), A (E4–F+5) |
| Enchanted | Alan Menken | A:54 So Close | Enchanted: vocal selections (Hal Leonard), E (B3–D b6) |
| Guys and Dolls | F. Loesser | A:11 If I Were a Bell | Guys and Dolls: vocal selections 🕮 , F (C4–E5), Guys and Dolls: vocal score (Williamson), E b The Singer’s Musical Theatre Anthology, Soprano Vol. 2 (revised edition) (Hal Leonard), E b |
| Here | Kate Marlais & Alex Young | A:55 Temporary | Temporary 🕮 D b (B b3–G b5) |
| Into the Woods | Stephen Sondheim | A:13 Children Will Listen | Into the Woods: movie vocal selections (Hal Leonard), C (A3–F+5) The Stephen Sondheim Collection (Hal Leonard), C |
| Jekyll & Hyde | A:14 In his eyes | Jekyll & Hyde: vocal selections (Cherry Lane Music Company), C min (B b3–D5), (as one character, either part where lines divide) The Singer’s Musical Theatre Anthology, Soprano Vol. 3, Book only or with Audio Access (Hal Leonard), C min |
|
| A:15 This is the moment | Jekyll & Hyde: vocal selections (Cherry Lane Music Company), E b (B b3–G5) The Singer’s Musical Theatre Anthology, Tenor Vol. 2, Book only or with Audio Access (Hal Leonard), E |
||
| Just So | George Stiles & Anthony Drewe | A:16 Wait a Bit | Wait a Bit, 🕮 E (F+ 3–D5) |
| The King and I | Rodgers & Hammerstein | A:17 Something Wonderful | The King and I: vocal selections (Williamson), G (B3–E5) The Rodgers & Hammerstein Collection (Williamson), G The Singer’s Musical Theatre Anthology, Soprano Vol. 1, Book only or with Audio Access (revised edition) (Hal Leonard), A |
| Kiss Me, Kate | C. Porter | A:18 Were thine that special face | The Singer’s Musical Theatre Anthology, Baritone/Bass Vol. 1 – Book only – with Audio access (revised edition) (Hal Leonard), D b (C4–F5) |
| Lady in the Dark | Weill & I. Gershwin | A:19 One Life to Live | The Singer’s Musical Theatre Anthology, Soprano Vol. 3, Book only or with Audio Access (Hal Leonard), E b (B b3–E b5) |
| The Life | C. Coleman & Gasman | A:51 We Had a Dream | The Life: vocal selections (Hal Leonard), E b (B b3–C5) |
| The Light in the Piazza | Adam Guettel | A:58 Fable | The Light in the Piazza: vocal selections (Hal Leonard), C min (C4–F5) The Singer’s Musical Theatre Anthology, Soprano Vol. 5 (Hal Leonard), C + min |
| A:20 Love to Me | Contemporary Musical Theatre for Teens, Young Men’s Edition Vol. 1 (Hal Leonard), D (D4–F+5) The Light in the Piazza: vocal selections (Hal Leonard), D |
||
| Little Women | Jason Howland & Mindi Dickstein | A:21 Some things are meant to be | Contemporary Musical Theatre for Teens, Young Women’s Edition Vol. 1 (Hal Leonard), G (B3–E5) |
| Man of La Mancha | Leigh & Darion | A:22 The Impossible Dream | The Big Book of Broadway, 4th edition (Hal Leonard), B b (C4–E b5) The Singer’s Musical Theatre Anthology, Baritone/Bass Vol. 1 – Book only – with Audio access (revised edition) (Hal Leonard–Faber), B b |
| On the Town | L. Bernstein, Comden & Green | A:23 Lonely Town | On the Town: vocal selections (Alfred), F (C4–F5) |
| A:24 Lucky to Be Me | On the Town: vocal selections (Alfred), F (B b3–F5), Lucky to Be Me 🕮 F, Lucky to Be Me, 🕮 F | ||
| Paint Your Wagon | Lerner & Loewe | A:59 I Talk to the Trees | Singer’s Library of Musical Theatre, Baritone/Bass Vol. 2 (Alfred), G (C4–G5) |
| The Pajama Game | R. Adler & J. Ross | A:25 Hey there | The Singer’s Musical Theatre Anthology, Tenor Vol. 3 (Hal Leonard), G b (F4–A b5) |
| Parade | Jason Robert Brown | A:26 It’s hard to speak my heart | The Singer’s Musical Theatre Anthology, Baritone/Bass Vol. 3 – Book only – with Audio access
(Hal Leonard), E (B3–E5) |
| A:27 You don’t know this man | The Singer’s Musical Theatre Anthology, Mezzo-Soprano/Belter Vol. 3 (Hal Leonard), G min (B b3–E b5) | ||
| Phantom of the Opera | Andrew Lloyd Webber, Charles Hart & Richard Stilgoe | A:28 The Music of the Night (cut bb. 28–45) | The Singer’s Musical Theatre Anthology, Tenor Vol. 2, Book only or with Audio Access (Hal Leonard), D b (Ab3–A b5) |
| A:29 Think of me (with cadenza) | The Singer’s Musical Theatre Anthology, Soprano Vol. 3, Book only or with Audio Access (Hal Leonard), D (D4–C6) | ||
| A:30 Wishing you were somehow here again | The Singer’s Musical Theatre Anthology, Soprano Vol. 3, Book only or with Audio Access (Hal Leonard), (A3–G5) | ||
| Pippin | Stephen Schwartz | A:31 With You | Pippin: vocal selections (updated edition) (Alfred), G (B3–G5) |
| Porgy and Bess | G. & I. Gershwin and E. D. & D Heyward | A:32 Summertime | George Gershwin: The Definitive Songbook (Faber), A min (E4–E5) The Singer’s Musical Theatre Anthology, Soprano Vol. 1, Book only or with Audio Access (revised edition) (Hal Leonard), B min |
| The Prince of Egypt | Stephen Schwartz | A:33 For the rest of my life | The Prince of Egypt: stage vocal selections (Alfred), Eb min (D b4–A b5), For the rest of my life, 🕮 Eb min |
| Salad Days | Slade & Reynolds | A:34 I Sit in the Sun | Salad Days: vocal score (Faber), C min (E b4–F5) |
| Show Boat | Kern & Hammerstein | A:35 Make Believe | The Singer’s Musical Theatre Anthology, Soprano Vol. 4 (Hal Leonard), C (C4–E b5) |
| Shrek The Musical | Jeanine Tesori | A:56 Who I’d Be | Shrek The Musical: vocal selections (Cherry Lane Music Company), Db (B b3–F+5) Contemporary Musical Theatre for Teens, Young Men’s Edition Vol. 2 (Hal Leonard), D b |
| Some Like It Hot | Marc Shaiman & Scott Wittman | A:60 At The Old Majestic Nickel Matinee | Some Like It Hot: A New Musical Comedy (Hal Leonard), F (G3–C5), At The Old Majestic Nickel Matinee, 🕮 F |
| Songs for a New World | Jason Robert Brown | A:36 Christmas Lullaby | The Singer’s Musical Theatre Anthology, Soprano Vol. 3 (Hal Leonard), C (A3–E5) |
| South Pacific | Rodgers & Hammerstein | A:37 This Nearly Was Mine | South Pacific: vocal selections (Williamson), Eb (D4–F5) South Pacific: vocal score (Williamson), C The Singer’s Musical Theatre Anthology, Baritone/Bass Vol. 1 – Book only – with Audio access (revised edition) (Hal Leonard), C |
| A:38 Younger Than Springtime | South Pacific: vocal selections (Williamson), C (B3–D5) The Rodgers & Hammerstein Collection (Williamson), C The Singer’s Musical Theatre Anthology, Tenor Vol. 1 (revised edition) (Hal Leonard), F |
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| St. Louis Woman | Arlen & Mercer | A:39 I had myself a true love | The Singer’s Musical Theatre Anthology, Mezzo-Soprano/Belter Vol. 3 (Hal Leonard), Bb (F3–C5), I had myself a true love, 🕮 Eb |
| Sunset Boulevard | Andrew Lloyd Webber, Don Black, Christopher Hampton & Amy Powers | A:40 As If We Never Said Goodbye (cut bb. 31–60) | As If We Never Said Goodbye, 🕮 E b (G3–C5) |
| A:61 The Greatest Star of All | The Singer’s Musical Theatre Anthology, Baritone/Bass Vol. 3 – Book only – with Audio access
(Hal Leonard), E (B3–G b5) |
||
| Sweeney Todd | Stephen Sondheim | A:41 Johanna | The Stephen Sondheim Collection (Hal Leonard), Eb (C4–E b5), Sondheim for Singers: Tenor (Hal Leonard), Eb, Sondheim for Singers: Baritone/Bass (Hal Leonard), Eb The Singer’s Musical Theatre Anthology, Tenor Vol. 1 (revised edition) (Hal Leonard), Eb |
| Thoroughly Modern Millie | Jeanine Tesori & Dick Scanlan | A:42 What Do I Need with Love | Contemporary Musical Theatre for Teens, Young Men’s Edition Vol. 1 (Hal Leonard), F (D4–G5) |
| Titanic | Maury Yeston | A:43 No moon | The Singer’s Musical Theatre Anthology, Tenor Vol. 3 (Hal Leonard), A min (E4–G5) |
| Top Hat | I. Berlin | A:57 Top Hat, White Tie and Tails | Irving Berlin Anthology (Irving Berlin Music Company), G (D4–E5), Top Hat, White Tie and Tails, 🕮 G |
| West Side Story | L. Bernstein & Stephen Sondheim | A:44 I have a love | West Side Story: vocal selections (new edition) (Boosey & Hawkes), F (Ab3–F5), West Side Story: vocal score (Hal Leonard), G |
| A:45 Somewhere | West Side Story: vocal selections (new edition) (Boosey & Hawkes), Eb (B b3–F5), Somewhere (Boosey & Hawkes), Eb |
||
| The Wiz | Smalls | A:46 The Feeling That We Have | The Wiz: vocal selections (Alfred), D (G3–B4) |
| Wonderful Town | L. Bernstein, Comden & Green | A:47 A Quiet Girl (Baker part, without men’s chorus) | Wonderful Town: vocal selections (Boosey & Hawkes), Ab (B b3–E b5) |
| Not from a show | Timothy Huang & Patrick Gallagher | A:48 There’s You | There’s You, 🕮 (Ab3–F5) |
Grade 7, List B
| Show | Composer (s) | Piece | Details |
|---|---|---|---|
| 13 | Jason Robert Brown | B:1 The Lamest Place in the World | Contemporary Musical Theatre for Teens, Young Women’s Edition Vol. 2, (Hal Leonard), B (B3–D +5) |
| Anastasia | Stephen Flaherty & Lynn Ahr | B:2 In My Dreams | Anastasia: stage vocal selections (Hal Leonard), Eb min (B b3–D5) |
| B:3 Still | Anastasia: stage vocal selections (Hal Leonard), Bb min (E b4–A b5) | ||
| Big Fish | Andrew Lippa | B:5 Stranger | Big Fish: vocal selections (Hal Leonard), C (C4–G5), Stranger, 🕮 C |
| Big The Musical | Richard Maltby Jr & David Shire | B:6 Stop, Time | Big The Musical: vocal selections (Alfred), Bb (G3–C5), Stop, Time, 🕮 B b |
| Bring It On: The Musical | Tom Kitt, Amanda Green & Lin-Manuel Miranda | B:7 One Perfect Moment | The Singer’s Musical Theatre Anthology, Mezzo-Soprano/Belter Vol. 6 (Hal Leonard), C (G3–D5), One Perfect Moment, 🕮 C |
| Broken Wings | Dana Al Fardan & Nadim Naaman | B:65 So Many Questions | So Many Questions, 🕮 , C min (B b3–D5) |
| Brooklyn The Musical | Mark Schoenfeld & Barri McPherson | B:8 Sometimes (as one character, top part where lines divide) | Brooklyn The Musical: vocal selections (Hal Leonard), A (E4–G5) |
| Cabaret | Kander & Ebb | B:9 Maybe this time | The Complete Cabaret Collection (Hal Leonard), C (A3–F5) |
| Caroline, Or Change | Jeanine Tesori & Tony Kushner | B:10 I hate the bus | I hate the bus, 🕮 C (G3–F+5) |
| Carrie The Musical | Michael Gore & Dean Pitchford | B:11 Dreamer in Disguise | Carrie The Musical: vocal selections (Hal Leonard), Ab (E b4–G5) |
| Cases | Dominic Powell | B:59 Let Your Garden Grow | Let Your Garden Grow, 🕮 A (E4–B5) |
| Catch Me If You Can | Marc Shaiman & Scott Wittman | B:12 Someone Else’s Skin (without spoken parts) | Someone Else’s Skin, 🕮 B (B3–C6) |
| The Clockmaker’s Daughter | Webborn & Finn | B:66 You’re Still Here (without spoken sections) | You’re Still Here, 🕮, G min (G3–F+5) |
| The Color Purple | Brenda Russell, Willis & Stephen Bray | B:13 The Color Purple (as one character, top part where lines divide) | The Color Purple: vocal selections (Hal Leonard), B (F+ 3–D5) |
| Company | Stephen Sondheim | B:14 Sorry-Grateful | The Singer’s Musical Theatre Anthology, Baritone/Bass Vol. 1 – Book only – with Audio access (revised edition) (Hal Leonard), D (B3–E5) |
| Dessa Rose | Stephen Flaherty & Lynn Ahrens | B:57 Something of My Own | Something of My Own, 🕮 G (A3–D5) |
| Dirty Rotten Scoundrels | David Yazbek | B:69 Love Sneaks In | The Singer’s Musical Theatre Anthology, Baritone/Bass Vol. 5 (Hal Leonard- Faber), C (C4–D5), Love Sneaks In, 🕮 C |
| Dogfight | Benj Pasek & Justin Paul | B:15 Nothing Short of Wonderful | Nothing Short of Wonderful, 🕮 B (A+ 3–D +5) |
| B:16 Pretty Funny (from b. 7) | Pretty Funny, 🕮 G (G3–E5) | ||
| Dreamgirls | Henry Krieger & Siedah Garrett | B:17 Love You I Do | Dreamgirls: film vocal selections (Hal Leonard), B b (F3–G5) |
| Elegies for Angels, Punks and Raging Queens | Bill Russell & Janet Hood | B:18 My brother lived in San Francisco | The Contemporary Singing Actor, Women’s Voices Vol.1 (3rd edition) (Hal Leonard), C (F+ 3–D b5) |
| Footloose | Tom Snow & Dean Pitchford | B:19 I Can’t Stand Still | Contemporary Musical Theatre for Teens, Young Men’s Edition Vol. 2 (Hal Leonard), B b (D4–C6) |
| Frozen | Kristen Anderson-Lopez & Robert Lopez | B:21 Dangerous to Dream (cut bb. 104–129) | Frozen: stage vocal selections (Hal Leonard), A (A3–D5) |
| Frozen 2 | Kristen Anderson-Lopez & Robert Lopez | B:20 The Next Right Thing | Frozen II: vocal selections (Hal Leonard), C min (B b3–E5) The Next Right Thing, 🕮 C min |
| Funny Girl | Styne & Merrill | B:22 I’m the Greatest Star | Gypsy & Funny Girl: vocal selections (Alfred), C (G3–C5), I’m the Greatest Star, 🕮 C |
| Ghost The Musical | Glen Ballard, David Allan Stewart & Bruce Joel Rubin | B:23 With You | The Singer’s Musical Theatre Anthology, Soprano Vol. 6 (Hal Leonard), G (A3–E5) |
| The Greatest Showman | Benj Pasek & Justin Paul | B:24 Never Enough | The Greatest Showman: vocal selections (Hal Leonard), A b (E b3–F5), Never Enough, 🕮 B b |
| Hadestown | Anaïs Mitchell | B:60 Flowers | Hadestown: vocal selections (Hal Leonard), B (F+ 3–C +5), Flowers, 🕮 B |
| Hamilton | Lin-Manuel Miranda | B:25 Burn | Hamilton: vocal selections (Faber), B min (A3–D5) |
| Heathers | Laurence O’Keefe & Kevin Murphy | B:26 Kindergarten Boyfriend | Kindergarten Boyfriend, 🕮 C (G3–E5) |
| Hercules | Alan Menken & David Zippel | B:27 Go the Distance | The Illustrated Treasury of Disney Songs (7th edition) (Hal Leonard), A (A3–G5) |
| How We React and How We Recover | Jason Robert Brown | B:61 Wait ‘til You See What’s Next | The Jason Robert Brown Collection, Volume 2 (Hal Leonard), F (A3–B b5), Wait ‘til You See What’s Next, 🕮 F |
| In the Heights | Lin-Manuel Miranda | B:29 Everything I Know | In the Heights: vocal selections (Williamson), E b (B b3–D b5) |
| James and the Giant Peach | Benj Pasek & Justin Paul | B:30 Middle of a Moment | Middle of a Moment, 🕮 E (B3–G5) |
| Kinky Boots | Cynthia Lauper | B:31 Take What You Got (as one character, top part where lines divide) | Take What You Got 🕮 B (F+ 4–F+5), Take What You Got, 🕮 B |
| The Last Five Years | Jason Robert Brown | B:32 A Part of That | The Last Five Years: movie vocal selections (Hal Leonard), E b (B b3–E b5) Contemporary Musical Theatre for Teens, Young Women’s Edition Vol. 2 (Hal Leonard), E b |
| Legally Blonde The Musical | Laurence O’Keefe & Nell Benjamin | B:33 So Much Better (Elle part) | Legally Blonde The Musical: vocal selections (Williamson), G b (G b3–E b5) Contemporary Musical Theatre for Teens, Young Women’s Edition Vol. 2 (Hal Leonard), G b |
| Les Misérables | Claude-Michel Schonberg, Alain Boublil & Jean-Marc Natel | B:34 On my own | Les Misérables: stage vocal selections (Wise), D (A3–C5), Les Misérables: film vocal selections (Wise), D The Singer’s Musical Theatre Anthology, Mezzo-Soprano/Belter Vol. 2 – Book only or Audio access (revised edition) (Hal Leonard–Faber), D |
| The Life | C. Coleman & Gasman | B:35 Use What You Got | The Life: vocal selections (Hal Leonard), A min (G + 3–F+5) |
| The Lightning Thief | Rob Rokicki | B:36 The Tree on the Hill (Grover part, without chorus sections) | The Lightning Thief: vocal selections (Hal Leonard), G (E4–G5) |
| A Little Night Music | Stephen Sondheim | B:37 Send in the Clowns | The Stephen Sondheim Collection (Hal Leonard), D b (G b3–A b4) |
| Little Women | Jason Howland & Mindi Dickstein | B:38 Days of Plenty | Little Women: vocal selections (Cherry Lane Music Company), A b (E b3–D b5) |
| Marie Christine | Michael John LaChiusa | B:39 Beautiful | Beautiful, 🕮 G min (F3–D5) |
| Mean Girls | Jetf Richmond & Nell Benjamin | B:40 World Burn | Mean Girls: vocal selections (Hal Leonard), A b (Ab3–E5), (Regina part), World Burn, 🕮 A b |
| A Mother’s Song | Finn Anderson | B:63 Change of Plan (follow ‘Sarah’ line) | Change of Plan, 🕮 D min (F3–B b4)n-Marc Natel |
| Next to Normal | Tom Kitt & Brian Yorkey | B:41 I Miss the Mountains | Next to Normal: vocal selections (Alfred), C (G3–D5) |
| B:42 I’m Alive (cut bb. 45–78) | Next to Normal: vocal selections (Alfred), G (G4–D6) | ||
| Once on This Island | Stephen Flaherty & Lynn Ahrens | B:43 Waiting for Life | Contemporary Musical Theatre for Teens, Young Women’s Edition Vol. 2 (Hal Leonard), A (B3–D5) |
| Ordinary Days | Adam Gwon | B:44 Let Things Go | Let Things Go, 🕮 B b (G + 3–C +5) |
| This Ordinary Thursday | Georgia Stitt | B:45 One Day More | This Ordinary Thursday: vocal selections (Williamson), F (C4–F5) |
| Parade | Jason Robert Brown | B:46 Do it alone | Do it alone, 🕮 A (A3–E5) |
| Pippin | Stephen Schwartz | B:47 Corner of the Sky (any two verses) | Pippin: vocal selections (updated edition) (Alfred), C (E4–C6) |
| The Prince of Egypt | Stephen Schwartz | B:48 When You Believe | The Prince of Egypt: film vocal selections (Cherry Lane Music Company), D min (A3–E5) The Prince of Egypt: stage vocal selections (Alfred), D min |
| The Secret Garden | Lucy Simon & Marsha Norman | B:49 Winter’s on the wing | The Secret Garden: vocal selections (Alfred), A min (D4–F+5) |
| She Loves Me | Bock & Harnick | B:50 Ilona | The Singer’s Musical Theatre Anthology, Baritone/Bass Vol. 2 – Book only – with Audio access (Hal Leonard), C (C4–E5) |
| Six The Musical | Toby Marlow & Lucy Moss | B:51 Heart of Stone (Seymour part; ending b. 115) | Six The Musical: vocal selections (Faber), F (A3–D5) |
| Tick, Tick… Boom! | Jonathan Larson | B:52 Come to Your Senses (cut bb. 32–58) | Contemporary Musical Theatre for Teens, Young Women’s Edition Vol. 2 (Hal Leonard), C min (A b3–C5) |
| B:64 Louder than Words (cut bb. 59–106) | Tick, Tick … BOOM! (Hal Leonard), E b (B b3–G +5), Louder Than Words, 🕮 E b |
||
| Waitress | Sara Bareilles | B:53 She Used to Be Mine | Waitress: vocal selections (Hal Leonard), G b (G b3–E b5) |
| What’s Not Inside: The Lost Songs from Waitress | Sara Bareilles | B:54 Door Number Three | Door Number Three, 🕮 G (A3–D5) |
| We Will Rock You | Brian May | B:55 No One But You | We Will Rock You: vocal selections (Hal Leonard), D (G + 3–E5), No One But You, 🕮 D |
| Yentl | Legrand, Alan Boublil & Marilyn Bergman | B:56 No wonder | No wonder, 🕮 B b (G3–D5) |
| Not from a show | Amir Shoenfeld | B:62 Looking at the Moon | Looking at the Moon, 🕮 D (A3–A5) |
| Jonathan Reid Gealt | B:67 Quiet | Quiet, 🕮 G (G3–F+5) | |
| Jonathan Reid Gealt (starting at b. 40, with suitable intro) | B:68 September of ’92 | September of ’92, 🕮 B (B3–B b5) |
Grade 7, List C
| Show | Composer (s) | Piece | Details |
|---|---|---|---|
| 13 | Jason Robert Brown | C:1 Get Me What I Need | 13 The Musical: vocal selections (Hal Leonard), C (C4–A5), (Archie part) Contemporary Musical Theatre for Teens, Young Men’s Edition Vol. 1 (Hal Leonard), C |
| The 25th Annual Putnam County Spelling Bee | William Finn | C:2 I’m not that smart | The 25th Annual Putnam County Spelling Bee: vocal selections (Alfred), D (A3–A5) |
| Aida | Elton John & Tim Rice | C:3 My Strongest Suit (Amneris part; cut bb. 121–143) | Aida: vocal selections (Hal Leonard), D b (G b3–F5), My Strongest Suit, 🕮 D b |
| Anyone Can Whistle | Stephen Sondheim | C:4 Everybody says don’t | The Singer’s Musical Theatre Anthology, Baritone/Bass Vol. 1 – Book only – with Audio access (revised edition) (Hal Leonard), C (G3–E5) |
| The Band’s Visit | David Yazbek | C:5 Papi Hears the Ocean | The Band’s Visit: A new musical: vocal selections (Hal Leonard), G min (G4–G5) |
| Brenda Bly: Teen Detective | Kevin Hammonds & Charles Miller | C:6 Oogie Woogie Boogie (top part; cut bb. 77–88) | Oogie Woogie Boogie, 🕮 G (G3–A b5) |
| The Bridges of Madison County | Jason Robert Brown | C:7 What do you call a man like that♭ | The Bridges of Madison County: vocal selections (Hal Leonard), C min (G3–G b5) The Singer’s Musical Theatre Anthology, Soprano Vol. 6 (Hal Leonard), C min, What do you call a man like that♭, 🕮 C min |
| Cabaret | Kander & Ebb | C:8 Mein Herr | The Complete Cabaret Collection (Hal Leonard), C min (G3–C5), Stage & Screen – The White Book (Wise), C min |
| A Chorus Line | Hamlisch & Kleban | C:9 Nothing (with spoken sections) | The Singer’s Musical Theatre Anthology, Mezzo-Soprano/Belter Vol. 3 (Hal Leonard), E b (G3–B4) |
| City of Angels | C. Coleman & David Zippel | C:10 Funny | The Singer’s Musical Theatre Anthology, Baritone/Bass Vol. 5 (Hal Leonard), B b min (B b3–F5) |
| Company | Stephen Sondheim | C:11 Another hundred people | The Complete Company Collection: vocal selections (author’s edition) (Hal Leonard), C (C4–E b5) The Singer’s Musical Theatre Anthology, Mezzo-Soprano/Belter Vol. 2 – Book only or Audio access (revised edition) (Hal Leonard), C The Stephen Sondheim Collection (Hal Leonard), C |
| C:12 The Ladies Who Lunch | The Complete Company Collection: vocal selections (author’s edition) (Hal Leonard), A min (E3–B b4) The Stephen Sondheim Collection (Hal Leonard), C min |
||
| C:13 Marry me a little | The Complete Company Collection: vocal selections (author’s edition) (Hal Leonard), B (G + 3–F+5) The Singer’s Musical Theatre Anthology, Baritone/Bass Vol. 1 (revised edition) (Hal Leonard), B b |
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| The Drowsy Chaperone | Lisa Lambert & Greg Morrison | C:14 I Am Adolpho (spoken parts optional) | The Drowsy Chaperone: vocal selections (Hal Leonard), C min (E3–A5), (as one character) Contemporary Musical Theatre for Teens, Young Men’s Edition Vol. 2 (Hal Leonard), C min (A+ 3–A5) |
| Edges | Benj Pasek & Justin Paul | C:15 In Short (without spoken section at b. 114) | In Short, 🕮 D (A3–B b5) |
| C:54 I’ve Gotta Run | I’ve Gotta Run, 🕮 E (B3–E5) | ||
| Follies | Stephen Sondheim | C:16 Broadway Baby | The Stephen Sondheim Collection (Hal Leonard), G (G3–B4) |
| The Full Monty | David Yazbek | C:17 Life with Harold (with scat; ad lib. ritf optional) | The Singer’s Musical Theatre Anthology, Mezzo-Soprano/Belter Vol. 4 (Hal Leonard), C (G3–D5) |
| A Gentleman’s Guide to Love and Murder | Steven Lutvak & Robert L. Freedman | C:18 Foolish to think | A Gentleman’s Guide to Love & Murder: vocal selections (Hal Leonard), E b (B b3–G5) |
| Grand Hotel | Maury Yeston | C:19 I Want to Go to Hollywood | The Singer’s Musical Theatre Anthology, Mezzo-Soprano/Belter Vol. 4 (Hal Leonard), A (D3–G + 4) |
| The Great British Bake Ofl Musical | Pippa Cleary & Jake Brunger | C:59 Babs’ Lament | Babs’ Lament, 🕮 D b (G b3–E b5) |
| Hairspray | Marc Shaiman & Scott Wittman | C:20 I can hear the bells (in full, do not take optional ending) | Hairspray: vocal selections (Hal Leonard), F (A3–C5) |
| Hamilton | Lin-Manuel Miranda | C:21 You’ll Be Back (King George part) | Hamilton: vocal selections (Faber), G (D4–C6) |
| I Love You, You’re Perfect, Now Change | Jimmy Roberts & DiPietro | C:22 Single Man Drought (as one character, top part where lines divide) | I Love You, You’re Perfect, Now Change: vocal selections (Williamson), D min (C + 4–E b5) |
| Into the Woods | Stephen Sondheim | C:23 Moments in the Woods | Into the Woods: movie vocal selections (Hal Leonard), D (F+ 3–C +5) |
| Just So | George Stiles | C:55 If – The Crab (sing all lyrics, follow EM when in harmony) | If – The Crab, 🕮 A b (Ab3–G5) |
| Kiss Me, Kate | C. Porter | C:56 Where is the Life that Late I Led♭ | Kiss Me, Kate: vocal selections (Alfred), C (B3–F5) |
| The Little Mermaid | Alan Menken & Glen Slater / Alan Menken & Ashman | C:24 Beyond My Wildest Dreams (as one character) | The Little Mermaid: film vocal selections (Hal Leonard), F (A3–E5) |
| C:25 I Want the Good Times Back (Ursula part; without spoken sections) | The Little Mermaid: stage vocal selections (Hal Leonard), C min (F+ 3–A5) | ||
| C:26 Poor Unfortunate Souls (cut bb. 46–58) | The Little Mermaid: stage vocal selections (Hal Leonard), F min (F3–D5) The Little Mermaid: film vocal selections (Hal Leonard), F min |
||
| The Little Mermaid (2023) | Alan Menken & Lin-Manuel Miranda | C:60 For the First Time | The Little Mermaid (2023): Music from the Motion Picture Soundtrack (Hal Leonard), C (G3–E b5), For the First Time, 🕮 C |
| Matilda The Musical | Tim Minchin | C:27 The Hammer | Matilda The Musical: vocal selections (Wise), A min (C4–F+5) |
| My Fair Lady | Lerner & Loewe | C:28 Just you wait | My Fair Lady: vocal selections (Faber), E b (A3–E b5) The Singer’s Musical Theatre Anthology, Soprano Vol. 3, Book only or with Audio Access (Hal Leonard), E b |
| C:29 Show Me | My Fair Lady: stage vocal selections (IMP), D (B3–F5) | ||
| Next Thing You Know | Joshua Salzman & Ryan Cunningham | C:30 You Can’t Be Everything You Want | You Can’t Be Everything You Want, 🕮 E b (G3–E b5) |
| Nymph Errant | C. Porter | C:31 The Physician (But he never said he loved me) | Cole Porter 100th Anniversary (Alfred), D (B3–F+5) |
| Once Upon a Mattress | Mary Rodgers & Barer | C:52 Happily Ever After | Happily Ever After, 🕮 E b (B3–D b5) |
| Ordinary Days | Adam Gwon | C:32 Gotta Get Out (spoken sections optional) | Gotta Get Out, 🕮 E min (G3–E5) |
| The Producers | Mel Brooks | C:33 When you got it, flaunt it | The Producers: stage vocal selections (Hal Leonard), F (A3–E5) The Producers: movie vocal selections (Hal Leonard), F |
| The Prom | Matthew Sklar & Chad Beguelin | C:34 Barry Is Going to Prom | Barry Is Going to Prom, 🕮 (B b3–F+5) |
| C:35 It’s Not About Me | It’s Not About Me, 🕮 A min (E3–C6) | ||
| Rent | Jonathan Larson | C:36 Take Me or Leave Me | Rent: movie vocal selections (Hal Leonard), F (A3–F5) |
| Saturday Night | Stephen Sondheim | C:37 What More Do I Need♭ | The Stephen Sondheim Collection (Hal Leonard), E b (B b3–E b5) |
| She Loves Me | Bock & Harnick | C:38 Try Me (with spoken sections) | The Singer’s Musical Theatre Anthology, Baritone/Bass Vol. 5 (Hal Leonard), C (B b3–E5) |
| Shrek The Musical | Jeanine Tesori & David Lindsay-Abaire | C:39 Morning Person | The Singer’s Musical Theatre Anthology, Soprano Vol. 6 (Hal Leonard), B (A3–D +5) |
| Side Show | Henry Krieger & Bill Russell | C:40 The Devil You Know | The Singer’s Musical Theatre Anthology, Baritone/Bass Vol. 3 – Book only – with Audio access
(Hal Leonard), E b (C4–G b5) |
| Sister Act | Alan Menken & Glen Slater | C:41 Fabulous, Baby (Deloris part; without spoken sections) | Sister Act: vocal selections (Faber), E b (G3–A6) |
| Some Like It Hot | Marc Shaiman & Scott Wittman | C:61 Poor Little Millionaire (Osgood part; last bar optional) | Some Like It Hot: A New Musical Comedy (Hal Leonard), Bb (C4–F+5), Poor Little Millionaire, 🕮 B b |
| Something Rotten! | Wayne Kirkpatrick & Karey Kirkpatrick | C:42 Hard to Be the Bard (Shakespeare part; with spoken sections; cut bb. 65–70) | Hard to Be the Bard, 🕮 G (D4–G5) |
| C:43 Right Hand Man (as one character; without spoken sections) | Right Hand Man, 🕮 D b (D3–D5) | ||
| Songs for a New World | rowspan=”2″>Jason Robert Brown (& Kristine Zbornick) | C:44 Just One Step (spoken sections optional) | The Contemporary Singing Actor, Women’s Voices Vol.1 (3rd edition) (Hal Leonard), B (F+ 3–C +5) The Singer’s Musical Theatre Anthology, Mezzo-Soprano/Belter Vol. 4 (Hal Leonard), B |
| C:45 Surabaya-Santa (without spoken sections) | Songs for a New World: vocal selections (Hal Leonard), C min (G3–E b5) | ||
| Sophie’s Apocalypse | Finn Anderson | C:57 Sophie’s Apocalypse Sophie’s Apocalypse, 🕮 C (Ab3–D5) |
Sophie’s Apocalypse, 🕮 C (Ab3–D5) |
| Sophisticated Ladies | Ellington & George | C:46 Hit me with a hot note | Hit me with a hot note, 🕮 D b (G3–G5) |
| Spamalot | John Du Prez & Eric Idle | C:47 Whatever happened to my part♭ | Contemporary Musical Theatre for Teens, Young Women’s Edition Vol. 1 (Hal Leonard), A (E3–D b5) The Singer’s Musical Theatre Anthology, Mezzo-Soprano/Belter Vol. 4 (Hal Leonard), A |
| Thoroughly Modern Millie | Jeanine Tesori & Dick Scanlan | C:48 Not for the Life of Me | Contemporary Musical Theatre for Teens, Young Women’s Edition Vol. 1 (Hal Leonard), G (Ab3–C5) The Contemporary Singing Actor, Women’s Voices Vol.1 (3rd edition) (Hal Leonard), G The Singer’s Musical Theatre Anthology, Mezzo-Soprano/Belter Vol. 5 (Hal Leonard), G |
| Waitress | Sara Bareilles | C:49 Never Ever Getting Rid of Me (Ogie part; without spoken sections) | Waitress: vocal selections (Hal Leonard), F (D4–B b5) |
| C:50 When He Sees Me (Dawn part) | Waitress: vocal selections (Hal Leonard), A b (G3–E b5) | ||
| The Witches of Eastwick | Dana P. Rowe & John Dempsey | C:58 Another Night at Darryl’s | The Witches of Eastwick: vocal selections (Faber), E b (G b3–B4) |
| C:51 Words, Words, Words | The Witches of Eastwick: vocal selections (Faber), A b (G3–E b5), Words, Words, Words, 🕮 A b | ||
| The Wizard of Oz | Harold Arlen & Edgar Harburg | C:62 If I Were King of the Forest | Singer’s Library of Musical Theatre, Baritone/Bass Vol. 2 (Alfred), F (C4–F5) |
| Working | Craig Carnelia | C:53 Just a Housewife | The Singer’s Musical Theatre Anthology, Mezzo-Soprano/Belter Vol. 3 (Hal Leonard), D (A3–C5) |
Grade 8, List A
| Show | Composer (s) | Piece | Details |
|---|---|---|---|
| The Boys from Syracuse | Rodgers & L. Hart | A:1 Falling in Love With Love (cut bb. 125–140) | The Singer’s Musical Theatre Anthology, Soprano Vol. 1 , Book only or with Audio Access (revised edition) (Hal Leonard), C (D4–A b5) |
| The Bridges of Madison County | Jason Robert Brown | A:2 Wondering | The Bridges of Madison County: vocal selections (Hal Leonard), E min (B3–G5), Wondering, 🕮 E min, Wondering, 🕮 E min |
| Carmen Jones | Bizet & Hammerstein | A:49 Dis flower | Carmen Jones: vocal selections (Williamson), D b (E4–B b5) |
| Caroline, Or Change | Jeanine Tesori & Tony Kushner | A:3 The Bus | The Bus 🕮 E b (B b3–B b5) |
| Carousel | Rodgers & Hammerstein | A:4 If I loved you | The Singer’s Musical Theatre Anthology, Soprano Vol. 1 , Book only or with Audio Access (revised edition) (Hal Leonard–Faber), G (C4–G b5) The Broadway Ingénue: 37 Theatre Songs for Soprano – Book only – with audio access – (Hal Leonard), (C4–G b5), Carousel: vocal selections (Williamson), (A3–F5) The Rodgers & Hammerstein Collection (Williamson), (A3–F5) |
| Children of Eden | Stephen Schwartz | A:51 A World Without You | Children of Eden: vocal selections (Alfred), A b (D b4–A b5) |
| City of Angels | C. Coleman & David Zippel | A:5 With Every Breath I Take | City of Angels: vocal selections (Hal Leonard), A min (D + 3–C5) |
| Company | Stephen Sondheim | A:6 Being Alive | The Complete Company Collection: vocal selections (author’s edition) (Hal Leonard), D (E4–E5) The Singer’s Musical Theatre Anthology, Tenor Vol. 1 (revised edition) (Hal Leonard), E b (F4–F+5) The Stephen Sondheim Collection (Hal Leonard), C (D4–E5) |
| A:60 Multitudes of Amys (cut bb. 74–81) | Multitudes of Amys, 🕮 D b (B b3–F5) | ||
| Death Takes a Holiday | Maury Yeston | A:61 I Thought That I Could Live | Death Takes a Holiday: Vocal Selections (Cherry Lane Music Company), E min (C4–F5), I Thought That I Could Live, 🕮 E min |
| Dick Tracy | Stephen Sondheim | A:7 What can you lose♭ | Sondheim for Singers: Tenor (Hal Leonard), C (C4–G5) The Singer’s Musical Theatre Anthology, Tenor Vol. 3 (Hal Leonard), B The Stephen Sondheim Collection (Hal Leonard), Bb, Sondheim for Singers: Baritone/Bass (Hal Leonard), Ab, Sondheim for Singers: Soprano (Hal Leonard), Ab |
| Dreamgirls | Henry Krieger & Eyen | A:8 I Am Changing | Dreamgirls: film vocal selections (Hal Leonard), C (D4–F5), I Am Changing, 🕮 C |
| Follies | Stephen Sondheim | A:52 In Buddy’s Eyes | Follies: The Complete Collection (Carlin America), C (F+ 3–D5) |
| Fun Home | Jeanine Tesori & Lisa Kron | A:9 Days and Days | Days and Days, 🕮 D b (Ab3–E5) |
| Happy End | Weill, Michael Feingold & Brecht | A:10 Surabaya Johnny | The Singer’s Musical Theatre Anthology, Soprano Vol. 1 , Book only or with Audio Access (revised edition) (Hal Leonard), E b (C b4–G b5) |
| The Hunchback of Notre Dame | Alan Menken & Stephen Schwartz | A:59 Made of Stone (cut bb. 91–111) | The Hunchback of Notre Dame: stage vocal selections (Hal Leonard), C min (C4–C6) |
| A:11 Out There | The Hunchback of Notre Dame: stage vocal selections (Hal Leonard), (D4–A5) | ||
| Into the Woods | Stephen Sondheim | A:12 Stay with Me | Into the Woods: movie vocal selections (Hal Leonard), A min (B3–D5) |
| Jagged Little Pill | Alanis Morissette & Michael Farrell | A:13 Smiling (lower part in bb. 17–19) | Smiling, 🕮 G (G3–F5) |
| Kinky Boots | Cynthia Lauper | A:14 Soul of a Man | Soul of a Man, 🕮 C (C4–B b5) |
| Kismet | Wright & Forrest (based on Borodin) | A:15 And This Is My Beloved | The Singer’s Musical Theatre Anthology, Soprano Vol. 2 (revised edition) (Hal Leonard), F (E4–A5) |
| A:16 Stranger in Paradise | The Singer’s Musical Theatre Anthology, Tenor Vol. 1 (revised edition) (Hal Leonard), G (E b4–A b5) | ||
| Lady in the Dark | Weill & I. Gershwin | A:17 The Saga of Jenny | Weill From Berlin to Broadway (Hal Leonard), F (C4–G5) The Saga of Jenny, 🕮 F |
| The Last Five Years | Jason Robert Brown | A:18 If I Didn’t Believe in You | The Last Five Years: movie vocal selections (Hal Leonard), F (B b3–G5) |
| A:19 Still Hurting | The Last Five Years: movie vocal selections (Hal Leonard), C (A3–D5) Contemporary Musical Theatre for Teens, Young Women’s Edition Vol. 1 (Hal Leonard), C, Jason Robert Brown Plays Jason Robert Brown, Women’s Edition (Hal Leonard), C The Singer’s Musical Theatre Anthology, Mezzo-Soprano/Belter Vol. 4 (Hal Leonard), C |
||
| Les Misérables | Claude-Michel Schönberg, Ala | A:20 Bring Him Home | Les Misérables: stage vocal selections (Wise), F (C4–F5), Les Misérables: film vocal selections (Wise), F |
| A:21 Empty Chairs at Empty Tables | Les Misérables: stage vocal selections (Wise), A min (A3–G5), Les Misérables: film vocal selections (Wise), A min The Singer’s Musical Theatre Anthology, Baritone/Bass Vol. 2 – Book only – with Audio access (Hal Leonard), A min |
||
| A:55 Javert’s Suicide | The Singer’s Musical Theatre Anthology, Baritone/Bass Vol. 5 (Hal Leonard), C (C4–F+5) | ||
| The Life | C. Coleman & Gasman | A:22 I’m Leaving You | The Life: vocal selections (Hal Leonard), C min (C4–F5) |
| The Light in the Piazza | Adam Guettel | A:23 Passeggiata | The Singer’s Musical Theatre Anthology, Tenor Vol. 5 (Hal Leonard), D (B3–G +5) |
| A:54 The Beauty Is | Contemporary Musical Theatre for Teens, Young Women’s Edition Vol. 1 (Hal Leonard), G (C b4–G5) The Singer’s Musical Theatre Anthology, Soprano Vol. 5 (Hal Leonard), G |
||
| Love Never Dies | Andrew Lloyd Webber & Glenn Slater | A:24 Love never dies | The Singer’s Musical Theatre Anthology, Soprano Vol. 6 (Hal Leonard), B b (B b3–B b5) |
| Miss Saigon | Claude-Michel Schönberg, Alain Boublil. Michael Mahler & Richard Maltby Jr | A:25 Maybe | Miss Saigon: vocal selections (Hal Leonard), E (E3–B4) |
| A:48 Movie in My Mind (as one character) | Miss Saigon: vocal selections (Hal Leonard), A min (A3–E5) | ||
| A:26 Why God Why♭ | Miss Saigon: vocal selections (Hal Leonard), C (E4–G5) The Singer’s Musical Theatre Anthology, Tenor Vol. 2, Book only or with Audio Access (Hal Leonard), C |
||
| The Music Man | Willson | A:56 My white knight | The Singer’s Musical Theatre Anthology, Soprano Vol. 1 , Book only or with Audio Access (revised edition) (Hal Leonard), D b (C4–F+5), My white knight, 🕮 C |
| The Mystery of Edwin Drood | Rupert Holmes | A:27 Moonfall | The Singer’s Musical Theatre Anthology, Soprano Vol. 2 (revised edition) (Hal Leonard), A min (B3–G5) |
| Natasha, Pierre & The Great Comet of 1812 | Dave Malloy | A:28 Dust and Ashes (from b. 20) | Natasha, Pierre and the Great Comet of 1812: vocal selections (Hal Leonard), G min (A3–F5) |
| The New Moon | Romberg | A:29 One Kiss | One Kiss, 🕮 F (E4–A5), One Kiss, 🕮 F |
| Newsies | Alan Menken | A:57 Santa Fe | Newsies: stage vocal selections (Hal Leonard), C (B3–A5) Contemporary Musical Theatre for Teens, Young Men’s Edition Vol. 1 (Hal Leonard), C The Singer’s Musical Theatre Anthology, Tenor Vol. 6 (Hal Leonard), C |
| Next to Normal | Tom Kitt & Brian Yorkey | A:30 So anyway | Next to Normal: vocal selections (Alfred), A (A3–E5) The Singer’s Musical Theatre Anthology, Mezzo-Soprano/Belter Vol. 6 (Hal Leonard), A |
| Nine | Maury Yeston | A:31 Unusual Way | The Big Book of Broadway, 4th edition (Hal Leonard), C + min (G + 3–E5) |
| Ordinary Days | Adam Gwon | A:32 I’ll Be Here | I’ll Be Here, 🕮 F (A3–C5) |
| Porgy and Bess | G. & I. Gerswhin and E. D & D. Heyward | A:33 My man’s gone now | Singer’s Library of Musical Theatre, Soprano Vol. 2 (Alfred), E min (E4–B5), My man’s gone now, 🕮 E min |
| Ragtime | Stephen Flaherty & Lynn Ahrens | A:34 Your Daddy’s Son | Ragtime: vocal selections (Alfred), G min (G3–F5), Your Daddy’s Son, 🕮 G + min |
| Saturday Night | Stephen Sondheim | A:35 So Many People | The Stephen Sondheim Collection (Hal Leonard), E b (B b3–E b5) |
| The Secret Garden | Lucy Simon & Marsha Norman | A:36 A bit of earth | The Secret Garden: vocal selections (Alfred), A (D b4–G b5/A5) The Singer’s Musical Theatre Anthology, Tenor Vol. 2, Book only or with Audio Access (Hal Leonard), A |
| She Loves Me | Bock & Harnick | A:37 Will he like me♭ | The Singer’s Musical Theatre Anthology, Soprano Vol. 2 (revised edition) (Hal Leonard), G (B3–F+5) |
| Spring Awakening | Duncan Sheik & Steven Sater | A:38 Left Behind (Melchior part) | Spring Awakening: A New Musical: vocal selections (Hal Leonard), G (D4–B5) |
| Street Scene | Weill & L. Hughes | A:39 Lonely House | The Singer’s Musical Theatre Anthology, Tenor Vol. 1 (revised edition) (Hal Leonard), E b (F4–B b5) |
| A:40 What good would the moon be♭ | Weill From Berlin to Broadway (Hal Leonard), E b (C4–G5) | ||
| Sunset Boulevard | Andrew Lloyd Webber, Don Black, Christopher Hampton & Amy Powers | A:58 Sunset Boulevard | The Singer’s Musical Theatre Anthology, Tenor Vol. 3 (Hal Leonard), (C4–G5) |
| Sweeney Todd | Stephen Sondheim | A:41 Green finch and linnet bird | Sweeney Todd: stage vocal selections (Hal Leonard), F (C4–G5) The Singer’s Musical Theatre Anthology, Soprano Vol. 1 , Book only or with Audio Access (revised edition) (Hal Leonard), F, Sondheim for Singers: Soprano (Hal Leonard), F |
| This Ordinary Thursday | Georgia Stitt & Faye Greenberg | A:42 I lay my armor down | I lay my armor down, 🕮 E b (G3–E b5) |
| Titanic: the Musical | Maury Yeston | A:62 In Every Age | The Singer’s Musical Theatre Anthology, Baritone/Bass Vol. 3 – Book only – with Audio access(Hal Leonard), D min (A3–G5) |
| Wearing Someone Else’s Clothes | Jason Robert Brown | A:43 Someone to Fall Back On | Jason Robert Brown Plays Jason Robert Brown, Men’s Edition (Hal Leonard), C (G3–A5), Someone to Fall Back On, 🕮 C |
| West Side Story | L. Bernstein & Stephen Sondheim | A:44 Maria | West Side Story: vocal selections (new edition) (Boosey & Hawkes), (Ab3–G5), Maria (Boosey & Hawkes), (Ab3–F+5) |
| A:45 Something’s coming | West Side Story: vocal selections (new edition) (Boosey & Hawkes), C (D4–F5) | ||
| The Wild Party | Andrew Lippa | A:46 How Did We Come to This♭ | The Singer’s Musical Theatre Anthology, Mezzo-Soprano/Belter Vol. 4 (Hal Leonard), E (G + 3–C +5) |
| The Woman in White | Andrew Lloyd Webber & David Zippel | A:47 Evermore Without You | The Woman in White: vocal selections (Really Useful Group), (B b3–A5), Evermore Without You (Really Useful Group), (A3–A5) |
| Not from a show | Tim Sutton | A:53 Johnny | Johnny, 🕮 E (G + 3–D +5) |
| Ricky Ian Gordon & L. Hughes | A:50 Song for a Dark Girl Only Heaven (Williamson), (C4–A5) |
Grade 8, List B
| Show | Composer (s) | Piece | Details |
|---|---|---|---|
| 9 to 5 The Musical | Dolly Parton | B:1 Get Out and Stay Out | 9 to 5 The Musical: vocal selections (Hal Leonard), A b (Ab3–F+5) |
| Anyone Can Whistle | Stephen Sondheim | B:2 There Won’t Be Trumpets | The Singer’s Musical Theatre Anthology, Mezzo-Soprano/Belter Vol. 2 – Book only or Audio access (revised edition) (Hal Leonard), A min (G3–C5) |
| The Baker’s Wife | Stephen Schwartz | B:3 Meadowlark | The Singer’s Musical Theatre Anthology, Mezzo-Soprano/Belter Vol. 5 (Hal Leonard), E (E3–E5) |
| Be More Chill | Joe Iconis | B:4 Michael in the Bathroom | Be More Chill: vocal selections (Hal Leonard), D (A3–G5) |
| Big Fish | Andrew Lippa | B:72 How It Ends | How It Ends, 🕮 D (A3–F+5) |
| Burlesque | Diane Warren | B:6 You Haven’t Seen the Last of Me | You Haven’t Seen the Last of Me, 🕮 F min (A b3–D5) |
| Catch Me If You Can | Marc Shaiman & Scott Wittman | B:7 Fly, Fly Away | The Contemporary Singing Actor, Women’s Voices Vol.1 (3rd edition) (Hal Leonard), G b (G b3–E5) |
| Chaplin The Musical | Christopher Curtis | B:8 When It All Falls Down | When It All Falls Down, 🕮 A min (E3–D5), When It All Falls Down, 🕮 A min |
| Children of Eden | Stephen Schwartz | B:9 Lost in the Wilderness | Children of Eden: vocal selections (Hal Leonard), E min (D4–G5) Contemporary Musical Theatre for Teens, Young Men’s Edition Vol. 2 (Hal Leonard), E min |
| B:10 The Spark of Creation | Children of Eden: vocal selections (Alfred), C (A3–D5) | ||
| The Color Purple | Brenda Russell, Willis & Stephen Bray | B:71 I’m Here | The Color Purple: vocal selections (Hal Leonard), G (G3–G5) |
| Come From Away | Irene Sankotf & David Hein | B:65 Me and the Sky | Come From Away (Hal Leonard), C (G3–E5) |
| Company | Stephen Sondheim | B:11 Someone is waiting | The Complete Company Collection: vocal selections (author’s edition) (Hal Leonard), E (B3–E5) The Singer’s Musical Theatre Anthology, Tenor Vol. 1 (revised edition) (Hal Leonard), F+, Someone is waiting, 🕮 G |
| Dear Evan Hansen | Benj Pasek & Justin Paul | B:12 For Forever | Dear Evan Hansen: vocal selections (Hal Leonard), F (G3–B5) |
| Descendants 2 | Shayna Mordue, Stephen Mark Conley, Tyler Shamy & Andy Dodd | B:13 Space Between (as one character) | Space Between, 🕮 E (B3–E5) |
| Descendants 3 | David Goldsmith & John Kavanaugh | B:14 My Once Upon a Time | My Once Upon a Time, 🕮 E min (G3–D b5) |
| Dessa Rose | Stephen Flaherty & Lynn Ahrens | B:61 Twelve Children (without spoken sections) | Twelve Children 🕮 C (B b3–D5) |
| Dogfight | Benj Pasek & Justin Paul | B:15 Come to a Party (without spoken sections; as one character) | Come to a Party, 🕮 D (G3–G5) |
| Dreamgirls | Henry Krieger, Anne Preven, Scott Cutler & Beyonce Knowles | B:16 Listen | Dreamgirls: film vocal selections (Hal Leonard), B b (F3–F5) |
| Dreaming Wide Awake | Scott Alan | B:17 Kiss the Air | Kiss the Air, 🕮 C (D4–E5) |
| Edges | Benj Pasek & Justin Paul | B:18 Monticello | Monticello, 🕮 C (D b4–B b5) |
| Everybody’s Talking About Jamie | Tom MacRae & Dan Gillespie Sells | B:19 Ugly in This Ugly World | Ugly in This Ugly World, 🕮 E min (D4–G5) |
| Finding Neverland | Eliot Kennedy & Gary Barlow | B:20 All That Matters | Finding Neverland: vocal selections (Hal Leonard), B b (B b3–F5) |
| First Date | Alan Zachary & Michael Weiner | B:21 Safer | The Singer’s Musical Theatre Anthology, Mezzo-Soprano/Belter Vol. 6 (Hal Leonard), A b (Ab3–E5) |
| Five Points | Ethan D. Pakchar & Douglas Lyons | B:66 Without You | Without You, 🕮 B b (C4–C5) |
| Frozen the Broadway Musical | Kristen Anderson-Lopez & Robert Lopez | B:67 Monster (Elsa part only) | Frozen: stage vocal selections (Hal Leonard), D min (A3–E b5) |
| Funny Girl | Styne & Merrill | B:22 Don’t Rain on My Parade | Gypsy & Funny Girl: vocal selections (Alfred), B b (G3–D5) The Singer’s Musical Theatre Anthology, Mezzo-Soprano/Belter Vol. 3 (Hal Leonard), A |
| The Great British Bake Off Musical | Pippa Cleary & Jake Brunger | B:73 Grow | Grow, 🕮 G (D3–E5) |
| B:74 Obviously | Obviously, 🕮 D b (Ab3–A5) | ||
| The Greatest Showman | Benj Pasek & Justin Paul | B:24 This Is Me (any part where lines divide) | The Greatest Showman: vocal selections (Hal Leonard), B min (A3–F+5) |
| Groundhog Day The Musical | Tim Minchin | B:25 Hope (cut bb. 105–167) | Groundhog Day The Musical: vocal selections (Hal Leonard), B min (C + 4–B5), Hope, 🕮 B min, Hope, 🕮 B min |
| Hadestown | Anaïs Mitchell | B:68 Epic III | Hadestown: vocal selections (Hal Leonard), F (D4–F6), Epic III, 🕮 F |
| Hamilton | Lin-Manuel Miranda | B:26 Dear Theodosia (as one character, either part where lines divide) | Hamilton: vocal selections (Faber), A (E4–F+5) |
| Heathers The Musical | Laurence O’Keefe & Kevin Murphy | B:27 Dead Girl Walking (Veronica part) | Dead Girl Walking, 🕮 D min (A3–G +5) |
| B:28 Freeze Your Brain (without spoken sections) | Freeze Your Brain, 🕮 G b (D b4–G5) | ||
| The Hired Man | Howard Goodall | B:29 If I could | Howard Goodall’s Songs from the Musicals for female voice (Faber), C min (B b3–E b5) |
| In the Heights | Lin-Manuel Miranda | B:30 Breathe (Nina part) | In the Heights: vocal selections (Williamson), B b (F3–G5), Breathe, 🕮 B b |
| B:31 It Won’t Be Long Now | Contemporary Musical Theatre for Teens, Young Women’s Edition Vol. 2 (Hal Leonard), D (F+ 3–E5) | ||
| B:62 Paciencia Y Fe (Claudia part) | In the Heights: vocal selections (Williamson), D (F+ 3–C5), Paciencia Y Fe, 🕮 D | ||
| Into the Woods | Stephen Sondheim | B:32 Giants in the Sky | Into the Woods: movie vocal selections (Hal Leonard), E (G + 3–D5), Into the Woods: stage vocal selections (Hal Leonard), E (C4–F+5), Sondheim for Singers: Tenor (Hal Leonard), E (C4–F+5) |
| It’s Only Life | John Bucchino | B:23 Taking the Wheel | Grateful: The Songs of John Bucchino (Williamson), G (D4–G5) |
| B:33 Unexpressed | Grateful: The Songs of John Bucchino (Williamson), C (G3–D5) | ||
| The Last Five Years | Jason Robert Brown | B:34 I Can Do Better Than That | The Last Five Years: movie vocal selections (Hal Leonard), A (A3–D5) The Contemporary Singing Actor, Women’s Voices Vol.1 (3rd edition) (Hal Leonard), A |
| B:35 See I’m Smiling | The Last Five Years: movie vocal selections (Hal Leonard), A (E3–C +5/D b5) The Singer’s Musical Theatre Anthology, Mezzo-Soprano/Belter Vol. 4 (Hal Leonard), A |
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| B:36 Shiksa Goddess | The Last Five Years: movie vocal selections (Hal Leonard), A (A3–A5) The Singer’s Musical Theatre Anthology, Tenor Vol. 5 (Hal Leonard), A |
||
| Les Misérables | Claude-Michel Schönberg, Alain Boublil & Jean-Marc Natel | B:37 Who Am I♭ | Les Misérables: stage vocal selections (Wise), D b (B3–B5), Les Misérables: film vocal selections (Wise), B b |
| The Life | C. Coleman & Gasman | B:38 Piece of the Action | The Life: vocal selections (Hal Leonard), C min (B b3–G5) |
| The Lightning Thief | Rob Rokicki | B:39 Good Kid (Percy part) | The Lightning Thief: vocal selections (Hal Leonard), G (E b4–A b5) |
| Little Women | Jason Howland & Mindi Dickstein | B:40 Take a Chance on Me | Little Women: vocal selections (Cherry Lane Music Company), A (B3–B b5) Contemporary Musical Theatre for Teens, Young Men’s Edition Vol. 2 (Hal Leonard), A |
| #Love | Douglas Lyons & Ethan D. Pakchar | B:64 The First Song of Summer | The First Song of Summer 🕮 E (B3–A5) |
| A Man of No Importance | Stephen Flaherty & Lynn Ahrens | B:41 The Streets of Dublin | Contemporary Musical Theatre for Teens, Young Men’s Edition Vol. 1 (Hal Leonard), E (E4–A5) The Singer’s Musical Theatre Anthology, Tenor Vol. 6 (Hal Leonard), E |
| Martin Guerre | Claude-Michel Schönberg, Alain Boublil & Stephen Clark | B:42 I’m Martin Guerre | The Singer’s Musical Theatre Anthology, Tenor Vol. 3 (Hal Leonard), B b min (D4–A5) |
| Memphis | David Bryan & Joe DiPietro | B:43 Colored Woman | Colored Woman, 🕮 (C4–E b5) |
| Merrily We Roll Along | Stephen Sondheim | B:44 Not a day goes by | The Stephen Sondheim Collection (Hal Leonard), C (A3–C +5), Not a day goes by, 🕮 Bb |
| Miss Saigon | Claude-Michel Schönberg, Alain Boublil & Richard Maltby Jr | B:45 I’d Give My Life for You | Miss Saigon: vocal selections (Hal Leonard), Bb (G3–E5) The Singer’s Musical Theatre Anthology, Mezzo-Soprano/Belter Vol. 3 (Hal Leonard), B b |
| One Good Day | Rona Siddiqui | B:69 Honestly | Honestly, 🕮 D b (F4–D b6) |
| Parade | Jason Robert Brown | B:46 The Old Red Hills of Home | The Singer’s Musical Theatre Anthology, Tenor Vol. 3 (Hal Leonard), F (D4–A5) |
| B:47 This Is Not Over Yet | The Singer’s Musical Theatre Anthology, Tenor Vol. 3 (Hal Leonard), A (D4–F+5) | ||
| The Pirate Queen | Claude-Michel Schönberg, Alan Boublil, Richard Maltby Jr & John Dempsey | B:48 I’ll Be There | The Singer’s Musical Theatre Anthology, Tenor Vol. 5 (Hal Leonard), Eb (C4–A5), I’ll Be There, 🕮 Eb |
| Rent | Jonathan Larson | B:49 Out Tonight | Rent: movie vocal selections (Hal Leonard), A (A3–E5) |
| She Loves Me | Bock & Harnick | B:50 She Loves Me | The Singer’s Musical Theatre Anthology, Tenor Vol. 2, Book only or with Audio Access (Hal Leonard), A b (E b4–F5) |
| Six The Musical | Toby Marlow & Lucy Moss | B:51 I Don’t Need Your Love (cut bb. 99–107; end at b. 125) | Six The Musical: vocal selections (Faber), D min (A3–E5) |
| Smile | Hamlisch & Ashman | B:63 Disneyland | Disneyland, 🕮 C (G3–D5) |
| Sunday in the Park with George | Stephen Sondheim | B:52 Finishing the Hat | The Singer’s Musical Theatre Anthology, Tenor Vol. 1 (revised edition) (Hal Leonard), G b (B b3–A b5) |
| Twelfth Night | Shaina Taub | B:70 Is This Not Love♭ | Is This Not Love♭, 🕮 Ab (F3–E b5) |
| Violet | Jeanine Tesori & Brian Crawley | B:53 Let It Sing | Let It Sing, 🕮 G (D4–E6) |
| B:54 Look at me | The Singer’s Musical Theatre Anthology, Mezzo-Soprano/Belter Vol. 6 (Hal Leonard), B min (A3–E5), Look at me, 🕮 B min | ||
| When Midnight Strikes | Kevin Hammonds & Charles Miller | B:55 What You See | What You See, 🕮 (B3–F5) |
| Wicked | Stephen Schwartz | B:56 Dancing Through Life | Wicked: vocal selections (Hal Leonard), A b (C4–G5) |
| Wonderland | Frank Wildhorn & Jack Murphy | B:57 The Mad Hatter (Hatter part) | Wonderland: vocal selections (Cherry Lane Music Company), E min (B b3–F5) |
| B:58 Once More I Can See | Wonderland: vocal selections (Cherry Lane Music Company), A b (G3–E5) Contemporary Musical Theatre for Teens, Young Women’s Edition Vol. 2 (Hal Leonard), A b |
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| Yentl | Legrand, Alan Bergman & Marilyn Bergman | B:59 Where Is It Written♭ (from b. 12) | Where Is It Written♭, 🕮 C (B3–F5) |
Grade 8, List C
| Show | Composer (s) | Piece | Details |
|---|---|---|---|
| 35mm | Ryan Scott Oliver | C:1 Caralee | Caralee, 🕮 B (D + 4–F+5) |
| The Addams Family | Andrew Lippa | C:2 Pulled | The Addams Family: vocal selections (Hal Leonard), D min (C4–E5) Contemporary Musical Theatre for Teens, Young Women’s Edition Vol. 1 (Hal Leonard), D min |
| Beetlejuice | Eddie Perfect | C:4 Dead Mom | Dead Mom, 🕮 A (A3–E b5) |
| Camelot | Lerner & Loewe | C:5 The Simple Joys of Maidenhood (from b. 13; cut bb. 61–82 as marked) | The Singer’s Musical Theatre Anthology, Soprano Vol. 1 , Book only or with Audio Access (revised edition) (Hal Leonard), C/B (B3–D +5) |
| Carmen Jones | Bizet & Hammerstein | C:49 Dere’s a cafe on de corner | Carmen Jones: vocal selections (Williamson), D (B3–B5) |
| Closer Than Ever | Richard Maltby Jr & David Shire | C:6 What Am I Doin’♭ | Closer Than Ever: vocal score (Alfred), (C4–A5), Singer’s Library of Musical Theatre, Tenor Vol. 2 (Alfred), (C4–A5) |
| Company | Stephen Sondheim | C:7 The Little Things You Do Together (as one character) | The Complete Company Collection: vocal selections (author’s edition) (Hal Leonard), E (C+ 4–F+5) The Stephen Sondheim Collection (Hal Leonard), A |
| Descendants | Andrew Lippa | C:8 Evil Like Me (from b. 19) | Evil Like Me, 🕮 G min (A3–G5) |
| Dick Tracy | Stephen Sondheim | C:9 More | More, 🕮 B b (F3–B4) |
| Falsettos / In Trousers | William Finn | C:10 I’m Breaking Down | Falsettos: vocal selections (Alfred), A (A3–E5), I’m Breaking Down, 🕮 A |
| Follies | Stephen Sondheim | C:51 Could I Leave You♭ | Follies: The Complete Collection (Carlin America), B b (F+ 3–B b4) The Singer’s Musical Theatre Anthology, Mezzo-Soprano/Belter Vol. 1 (Hal Leonard), B b, Could I Leave You♭, 🕮 B b |
| Fun Home | Jeanine Tesori | C:52 Changing My Major | Changing My Major, 🕮 A b (G3–D5) |
| A Gentleman’s Guide to Love and Murder | Steven Lutvak & Robert L. Freedman | C:11 Poor Monty | A Gentleman’s Guide to Love & Murder: vocal selections (Hal Leonard), E b min (A3–E b5) |
| The Great British Bake Ofl Musical | Pippa Cleary & Jake Brunger | C:58 Somewhere in the Dough | Somewhere in the Dough, 🕮 E b (B b3–F5) |
| Grey Gardens | Scott Frankel & Michael Korie | C:56 Daddy’s Girl | The Singer’s Musical Theatre Anthology, Soprano Vol. 5 (Hal Leonard), C min (C4–E5) |
| Guys and Dolls | F. Loesser | C:12 Adelaide’s Lament | Guys and Dolls: vocal selections 🕮 F (G3–C5/D5) The Singer’s Musical Theatre Anthology, Mezzo-Soprano/Belter Vol. 2 – Book only or Audio access (revised edition) (Hal Leonard), G b |
| Gypsy | Styne & Stephen Sondheim | C:13 Everything’s Coming Up Roses | Gypsy & Funny Girl: vocal selections (Alfred), C (C4–D5) |
| Honeymoon in Vegas | Jason Robert Brown | C:14 I Love Betsy | Honeymoon in Vegas: vocal selections (Hal Leonard), D (D4–A5) |
| I Can Get It for You Wholesale | Rome | C:15 Miss Marmelstein (without spoken parts) | The Singer’s Musical Theatre Anthology, Mezzo-Soprano/Belter Vol. 3 (Hal Leonard), B b (B b3–D5) |
| Interstate | Melissa Li | C:53 Loser Dumplings | Loser Dumplings, 🕮 G (C4–G5) |
| Into the Woods | Stephen Sondheim | C:16 I Know Things Now | Into the Woods: movie vocal selections (Hal Leonard), C (C4–E b5) |
| C:17 On the Steps of the Palace | Into the Woods: movie vocal selections (Hal Leonard), E b (B b3–F5) | ||
| The Last Five Years | Jason Robert Brown | C:18 A Miracle Would Happen | A Miracle Would Happen, 🕮 A (A3–A5), (cut bb. 76–107) |
| C:19 A Summer in Ohio | The Last Five Years: movie vocal selections (Hal Leonard), B b (F3–E b5) | ||
| A Little Night Music | Stephen Sondheim | C:20 Every day a little death (Charlotte part) | A Little Night Music: vocal selections (deluxe edition) (Hal Leonard), B (G + 3–B4) The Stephen Sondheim Collection (Hal Leonard), B |
| C:21 The Glamorous Life | A Little Night Music: vocal selections (deluxe edition) (Hal Leonard), E b (C4–E5) | ||
| C:22 In Praise of Women | A Little Night Music: vocal selections (deluxe edition) (Hal Leonard), F (C4–F5) The Singer’s Musical Theatre Anthology, Baritone/Bass Vol. 2 – Book only – with Audio access (Hal Leonard), F |
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| C:23 The Miller’s Son | A Little Night Music: vocal selections (deluxe edition) (Hal Leonard), B min (F+ 3–B4) The Stephen Sondheim Collection (Hal Leonard), B min |
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| A Little Princess | Andrew Lippa & Brian Crawley | C:24 Lucky | A Little Princess: vocal selections (Hal Leonard), A (F+ 3–B4) |
| Lucky Stiff | Stephen Flaherty & Lynn Ahrens | C:25 The Phone Call | Lucky Stiff: vocal selections (Alfred), D (D4–F+5), Singer’s Library of Musical Theatre, Tenor Vol. 2 (Alfred), D The Phone Call, 🕮 D The Phone Call, 🕮 D |
| C:26 Rita’s Confession (Rita part) | Lucky Stiff vocal selections (Alfred), B min (F+ 3–F5), Rita’s Confession, 🕮 B min |
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| The Mad Show / Putting It Together | Stephen Sondheim (Esteban Ria Nido) & Mary Rodgers | C:30 The Boy From… | The Boy From…, 🕮 F (A3–C5) |
| Newsies | Alan Menken & Jack Feldman | C:27 Watch What Happens | Newsies: stage vocal selections (Hal Leonard), A (A3–E5) Contemporary Musical Theatre for Teens, Young Women’s Edition Vol. 1 (Hal Leonard), A |
| On the Town | L. Bernstein, Comden & Green | C:28 I Can Cook Too (cut b. 71–84) | The Singer’s Musical Theatre Anthology, Mezzo-Soprano/Belter Vol. 2 – Book only or Audio access (revised edition) (Hal Leonard), G (A3–C +5) |
| Ordinary Days | Adam Gwon | C:29 Calm | Calm, 🕮 A (F+ 3–C +5) |
| Road Show | Stephen Sondheim | C:31 Talent | The Stephen Sondheim Collection (Hal Leonard), F (A3–F5) |
| She Loves Me | Bock & Harnick | C:32 Vanilla Ice Cream | The Singer’s Musical Theatre Anthology, Soprano Vol. 4 (Hal Leonard), G (D4–B5) |
| Side by Side by Sondheim | Stephen Sondheim | C:54 I Never Do Anything Twice (sing any two verses) | The Stephen Sondheim Collection, Volume 2 (Hal Leonard), F min (B3–E b5), I Never Do Anything Twice, 🕮 F min |
| Spamalot | John Du Prez & Eric Idle | C:33 The Song That Goes Like This | The Singer’s Musical Theatre Anthology, Soprano Vol. 4 (Hal Leonard), A (B3–B5) |
| Starting Here, Starting Now | Richard Maltby Jr & David Shire | C:34 Crossword Puzzle (with spoken sections) | Crossword Puzzle, 🕮 C (C4–E5) |
| Sunday in the Park with George | Stephen Sondheim | C:35 Putting It Together | Putting It Together, 🕮 E b (B b3–F5) |
| Sweeney Todd | Stephen Sondheim | C:36 By the Sea (spoken part optional) | The Singer’s Musical Theatre Anthology, Mezzo-Soprano/Belter Vol. 1 (revised edition) (Hal Leonard), A (G + 3–E b5) |
| Thoroughly Modern Millie | Jeanine Tesori & Dick Scanlan | C:37 Gimme Gimme | Contemporary Musical Theatre for Teens, Young Women’s Edition Vol. 1 (Hal Leonard), G b (Ab3–D5) |
| Two on the Aisle | Styne, Comden & Green | C:38 If You Hadn’t, But You Did | Singer’s Library of Musical Theatre, Mezzo/Alto Vol. 2 (Alfred), G min (G3–C5), If You Hadn’t, But You Did, 🕮 G min |
| The Unofficial Bridgerton Musical | Abigail Barlow & Emily Bear | C:57 If I Were a Man (without spoken sections) | The Unofficial Bridgerton Musical: vocal selections (Hal Leonard), A (E3–C +5) |
| Urinetown | Mark Hollmann & Greg Kotis | C:39 It’s a Privilege to Pee (Pennywise part) | Urinetown: vocal selections (Hal Leonard), C min (C4–G5) |
| Vanities | David Kirschenbaum | C:40 Fly into the Future | Fly into the Future, 🕮 E b (G3–C5) |
| Violet | Jeanine Tesori & Brian Crawley | C:50 Last time I came to Memphis | The Singer’s Musical Theatre Anthology, Tenor Vol. 6 (Hal Leonard), E (C4–A5) |
| Waitress | Sara Bareilles | C:41 What Baking Can Do | Waitress: vocal selections (Hal Leonard), G b (C4–E b5) |
| The Wicker Husband | Darren Clark | C:55 My Wicker Man | My Wicker Man, 🕮 A (G3–A5) |
| The Wild Party | Andrew Lippa | C:42 An Old Fashioned Love Story | An Old Fashioned Love Story, 🕮 G (G3–D5) |
| Wonderland | Frank Wildhorn & Jack Murphy | C:43 Off with Their Heads (Queen of Hearts part) | Wonderland: vocal selections (Cherry Lane Music Company), F+ (F+ 3–G5) |
| Working | Stephen Schwartz | C:44 It’s an Art | The Singer’s Musical Theatre Anthology, Mezzo-Soprano/Belter Vol. 5 (Hal Leonard), C (G3–G5) |
| Not from a show | Zina Goldrich & Marcy Heisler | C:45 Alto’s Lament | The Songs of Goldrich and Heisler (Hal Leonard), A min (F b3–C6), Alto’s Lament, 🕮 A min, Alto’s Lament, 🕮 A min |
| Zina Goldrich & Marcy Heisler | C:46 Los Pinguinos | The Songs of Goldrich and Heisler (Hal Leonard), G (G3–E b5) | |
| David Friedman | C:47 My Simple Christmas Wish | Listen to My Heart: The Songs of David Friedman (Midder Music), C (G3–E5), My Simple Christmas Wish, 🕮 C |
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| Jeanine Tesori & Dick Scanlan | C:48 The Girl in 14G | The Singer’s Musical Theatre Anthology, Soprano Vol. 5 (Hal Leonard), F (G3–D6) The Girl in 14G, 🕮 F |
Books marked 🕮 may be unavailable or require a custom printing in the U.K. Please contact us by email for more information
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