(
Please use the links below to find the titles recommended in the Trinity Singing from 2023 Grade 7 Syllabus:
Group A: Songs in a Dramatic Context
A(i): Opera, Operetta & Oratorio”
Soprano
| Key & range | Composer | Piece | Book | Publisher & Code | |
|---|---|---|---|---|---|
| 1 | Bm; d'-f#” | J S Bach | Quia respexit (Magnificat in D, BWV 243) (end on first note of following chorus) | Magnificat in D, BWV 243: vocal score | Bärenreiter BA5103-90 |
| 2 | Cm; c'-b♭” | Dove | Barbarina's Remorse (L'Augellino Belverde) | Songs & Arias for Soprano | Peters EP898 |
| 3 | B♭; E♭'-f” | Fauré | Pie Jesu (Requiem) | Sacred Soprano Arias or Sing Solo: Sacred (high) | Mayhew 3611728 or OUP 9780193457843 |
| 4 | B♭; f'-g” | Handel | He Shall Feed His Flock (version 1) (with recit: Then shall the eyes) (Messiah) (Watkins Shaw edition) | Messiah: vocal score | Novello NOV070137 (hard back edition) |
| 5 | A; d#'-f#” | Handel | O Had I Jubal's Lyre (Joshua) | 45 Arias from Operas & Oratorios vol. 2 (high) or Sacred Soprano Arias | IMC 1695 or Mayhew 3611728 |
| 6 | Em; d'-g” | Handel | O That I on Wings Could Rise (Theodora) | Theodora: vocal score | Novello NOV070459 |
| 7 | F; f'-g” | Handel | V'adoro, pupille (Guilio Cesare) | 45 Arias from Operas & Oratorios vol. 3 (high) or vocal score | IMC 1697 or Bärenreiter BA4078-90 |
| 8 | Dm; f'-a” | Marqués | Lagrimas m”as (El anillo de hierro) | Zarzuela! | UME UMV24369 |
| 9 | C; g'-g” | Mozart | Vedrai carino (Don Giovanni) | Arias for Soprano or The Prima Donna's Album | Schirmer GS81097 or Schirmer GS32555 |
| 10 | F; f'-b♭” | Sullivan | Sorry Her Lot (HMS Pinafore) | Gilbert and Sullivan for Singers (Soprano) | Hal Leonard HL00740214 |
| 11 | C; f'-f” | Vivaldi | Domine Deus (Gloria, RV589) | Sing Solo: Soprano or vocal score | OUP 9780193457805 or Novello NOV078441 |
Mezzo-soprano, Alto and Countertenor
| Key & range | Composer | Piece | Book | Publisher & Code | |
|---|---|---|---|---|---|
| 12 | Bm; b-f” | Bizet | Seguidilla: Pres de les remparts de Seville (Carmen) | French Operatic Arias for Mezzo-Soprano | Peters EP7553 |
| 13 | C; c'-f” | Donizetti | Il segreto per esser felici (Lucrezia Borgia) | Arias for Mezzo-Soprano | Schirmer GS81098 |
| 14 | C; d'-g” | Gounod | Faites-lui mes aveux (Faust) | French Operatic Arias for Mezzo-Soprano | Peters EP7553 |
| 15 | F; c'-e” | Handel | Father of Heav'n (Judas Maccabæus) | 45 Arias from Operas & Oratorios vol. 1 (low) | IMC 1694 |
| 16 | Fm; B♭-E♭” | Handel | Hence, Iris, Hence Away (Semele) | Semele: vocal score | Novello NOV070146 |
| 17 | C; b-a' | Monteverdi | Arnalta's Lullaby (L'incoronazione di Poppea, Act II Scene X) | L'incoronazione di Poppea: vocal score | Novello NOV200184 |
| 18 | D♭; c'-a♭” | J Strauss | Chacun a son gout (Die Fledermaus) | Operatic Anthology vol. II (Mezzo-Soprano and Alto) | Schirmer GS32584 |
| 19 | E♭; B♭-E♭” | Sullivan | Were I thy Bride (Yeoman of the Guard) | The Authentic Gilbert and Sullivan Songbook | Dover 0486234827 |
| 20 | E♭; B♭-f” | Thomas | Me voici dans son boudoir (Mignon) | Operatic Anthology vol. II (Mezzo-Soprano and Alto) | Schirmer GS32584 |
Tenor
| Key & range | Composer | Piece | Book | Publisher & Code | |
|---|---|---|---|---|---|
| 21 | A; e-f#' | Handel | Gentle Airs, Melodious Strains! (Athalia) | The Oratorio Anthology (Tenor) | Hal Leonard HL00747060 |
| 22 | A; e-a' | Handel | Lay your Doubts and Fears Aside (Semele) | Semele: vocal score | Novello NOV070146 |
| 23 | G; f#-a' | Handel | Would You Gain the Tender Creature♭ (Acis and Galatea) | Acis and Galatea: vocal score | Novello NOV070122 |
| 24 | E; B#-e' | Haydn | Now Nature Sinks beneath the Weight (with recit: The noonday sun) (The Seasons) | The Seasons: vocal score | Novello NOV072493 |
| 25 | D♭; A♭-b♭' | Sullivan | Oh, Is There Not One Maiden Breast (Pirates of Penzance) (cutting chorus part and ending after cadenza ‘I'll love you') | The Singer's Musical Theatre Anthology vol. 3 (Tenor) | Hal Leonard with audio access |
Baritone and Bass
| Key & range | Composer | Piece | Book | Publisher & Code | |
|---|---|---|---|---|---|
| 26 | Dm; G-e' | J S Bach | Wohlzutun und mitzuteilen | Cantata no. 39: Brich dem Hungrigen dein Brot, BWV 39 | Breitkopf EB7039 |
| 27 | D; A-d' | Handel | Leave Me, Loathsome Light (Semele) | Great Art Songs of Three Centuries (low) | Schirmer GS32962 |
| 28 | D; A-d' | Handel | More Sweet is that Name (Semele) | Semele: vocal score | Novello NOV070146 |
| 29 | Gm; c#-f' | Humfrey | A Hymne to God the Father | A Hymne to God the Father | Schott ED11908 |
| 30 | F; B-d' | Mozart | Ein Mädchen oder Weibchen (Die Zauberflöte) | Operatic Anthology vol. IV (Baritone) | Schirmer GS32586 |
| 31 | F; c-c' | Mozart | Ho capito, Signor, sì (Don Giovanni) | Mozart Arie Scelte vol. IV or vocal score | Ricordi ER00229100 or Schirmer GS33818 |
| 32 | E; F#-c#' | Mozart | In diesen heil'gen Hallen (Die Zauberflöte) | Operatic Anthology vol. V (Bass) | Schirmer GS32587 |
| 33 | G; d-e' | Mozart | Non siate ritrosi (with recit: Le nostre pene) (Cos” fan tutte) | Operatic Anthology vol. IV (Baritone) | Schirmer GS32586 |
| 34 | D; c-f'(a') | Sullivan | Fair Moon to Thee (HMS Pinafore) | Gilbert and Sullivan for Singers (Baritone/Bass) | Hal Leonard HL00740217 |
A(ii): Musical theatre
| Key & range | Composer | Piece | Book | Publisher & Code | |
|---|---|---|---|---|---|
| 35 | B♭; f-c” | Arlen | (F) I Had Myself a True Love (St Louis Woman) | The Singer's Musical Theatre Anthology vol. 3 (Mezzo-Soprano) | Hal Leonard HL00740123 book only or with audio access |
| 36 | G; g-e” [F] | Bareilles | She Used to be Mine (Waitress) (NB only this version may be used) | Singing Grade 7 from 2023 | Trinity TCL031679 (high), TCL031686 (low) |
| 37 | G; b-f#” | Bock | (F) Will He Like Me♭ (She Loves Me) | The Singer's Musical Theatre Anthology vol. 2 (Soprano) | Hal Leonard HL00747066 book only or with audio access |
| 38 | F; B♭-g' | Carnelia | (M) The Mason (Working) | The Singer's Musical Theatre Anthology vol. 3 (Tenor) | Hal Leonard with audio access |
| 39 | Am; A-e' | Coleman | (M) Funny (City of Angels) | City of Angels: Vocal Selections | Hal Leonard HL00313356 |
| 40 | B♭; B♭-f' | Coleman | (M) Hey There, Good Times (I Love my Wife) (cut duet section) | I Love my Wife: Vocal Selections | Hal Leonard HL00313371 |
| 41 | C; g'c” | Ellison | Whisper It to Me (Fiver) (high C optional) | Whisper It to Me | 🕮 |
| 42 | A; b-d” | Flaherty | Waiting for Life (Once on this Island) | Contemporary Musical Theatre for Teens: Young Women's Edition vol. 2 | Hal Leonard HL00129886 |
| 43 | C; c'-f” | Gershwin | (I'll Build a) Stairway to Paradise (George White's Scandals of 1922) | The Best of George Gershwin and Ira Gershwin | Faber 0571525768 |
| 44 | E♭; E♭'-f” | Gershwin | Fascinatin' Rhythm (Lady, be Good!) | The Best of George Gershwin and Ira Gershwin | Faber 0571525768 |
| 45 | G; b-e” | Gershwin | Nice Work If You Can Get It (A Damsel in Distress) | The Best of George Gershwin and Ira Gershwin | Faber 0571525768 |
| 46 | C; f#-d♭” | Hood | (F) My Brother Lived in San Francisco (Elegies for Angels, Punks and Raging Queens) | The Contemporary Singing Actor (Women's Voices) vol. 1 | Hal Leonard HL00740192 |
| 47 | G; e-c” | Kander | (F) Maybe This Time (Cabaret) | The Singer's Musical Theatre Anthology vol. 3 (Mezzo-Soprano) | Hal Leonard HL00740123 book only or with audio access |
| 48 | A; c#-g' | Kander | (M) Mr Cellophane (Chicago) | The Singer's Musical Theatre Anthology vol. 3 (Tenor) | Hal Leonard with audio access |
| 49 | C; c'-E♭” | Kander | (F) Roxie (Chicago) | Chicago the Musical: Vocal Selections | Faber 0571528651 |
| 50 | D♭; A♭-a♭' | Lloyd Webber | (M) Music of the Night (The Phantom of the Opera) | The Singer's Musical Theatre Anthology vol. 2 (Tenor) | Hal Leonard HL00747032 book only or with audio access) |
| 51 | B♭; B♭-c” | Loesser | (F) Take Back your Mink (Guys and Dolls) | The Singer's Musical Theatre Anthology vol. 1 (Mezzo-Soprano) | Hal Leonard HL00361072 book only or with audio access |
| 52 | G; d'-g” | Loewe | (F) Show Me (My Fair Lady) | The Singer's Musical Theatre Anthology vol. 1 (Soprano) | Hal Leonard book only or with audio access, HL00361071 book only or with audio access |
| 53 | G; b-g” [E♭] | Lopez & Marx | (M) Purpose (Avenue Q) | Singing Grade 7 from 2023 | Trinity TCL031679 (high), TCL031686 (low) |
| 54 | D; b-d” | Margoshes | (F) Think of Meryl Streep (Fame the Musical) | Fame the Musical | Alfred 28453 |
| 55 | C; B-f' | Menken | (M) If I Can't Love Her (Beauty and the Beast) | The Singer's Musical Theatre Anthology vol. 3 (Baritone/Bass) or Contemporary Disney | Hal Leonard HL00740125 book only or with audio access or HL00313169 |
| 56 | E♭; B♭-d♭” | Miranda | Everything I Know (In the Heights) | 21st Century Musical Theatre: Women's Edition | Hal Leonard HL00262376 |
| 57 | C; g-e” | Pasek & Paul | Before It's Over (Dogfight) | Before It's Over | 🕮 |
| 58 | B♭; f-f” | Richmond | Stupid with Love (Mean Girls) | Mean Girls: Vocal Selections | Hal Leonard HL00287380 |
| 59 | A; e-a' | Schönberg | (M) Bring Him Home (Les Misérables) (NB must be sung in A) | The Singer's Musical Theatre Anthology vol. 2 (Tenor) | Hal Leonard HL00747032 book only or with audio access) |
| 60 | A-g' | Schönberg | (M) Empty Chairs at Empty Tables (Les Misérables) | The Singer's Musical Theatre Anthology vol. 2 (Baritone/Bass) | Hal Leonard HL00747033 book only or with audio access |
| 61 | E; B-e' | Schönberg | (M) Stars (Les Misérables) | The Singer's Musical Theatre Anthology vol. 2 (Baritone/Bass) | Hal Leonard HL00747033 book only or with audio access |
| 62 | Am; G-f#' | Schwartz | (M) In Pursuit of Excellence (Children of Eden) | Children of Eden: Vocal Selections | Alfred 0320B |
| 63 | F; g-c” | Schwartz | (F) Popular (Wicked) | Wicked: Vocal Selections | Hal Leonard HL00313267 |
| 64 | F; a-c” | Shaiman | I Can Hear the Bells (Hairspray) (in full - not optional ending) | 21st Century Musical Theatre: Women's Edition | Hal Leonard HL00262376 |
| 65 | Am; d'-f#” | Simon | (M) Winter's on the Wing (The Secret Garden) | The Secret Garden: Vocal Selections or Broadway Presents! Teens' Musical Theatre Anthology (Male Edition) | Alfred VF1792 or Alfred 32027 |
| 66 | C; c'-E♭” | Sondheim | (F) Another Hundred People (Company) | The Singer's Musical Theatre Anthology vol. 2 (Mezzo-Soprano) | Hal Leonard HL00747031 (book only) with audio access |
| 67 | F; c-f' | Sondheim | (M) Good Thing Going (Merrily We Roll Along) | The Singer's Musical Theatre Anthology vol. 2 (Baritone/Bass) or The Smash Broadway Collection | Hal Leonard HL00747033 book only, or with audio access or Alfred MFM0001 |
| 68 | E♭; c-E♭' | Sondheim | (M) Johanna (Sweeney Todd) | The Singer's Musical Theatre Anthology vol. 1 (Tenor) | Hal Leonard HL00361073 book only or with audio access |
| book only69 | D♭; d'-a” | Sondheim | (F) One More Kiss (Follies) | The Singer's Musical Theatre Anthology vol. 1 (Soprano) | Hal Leonard book only, with audio access) HL00361071 book only or with audio access |
| 70 | F; c'-f” | Sondheim | Sand (Singing Out Loud) (solo version) | Sand | 🕮 |
| 71 | B♭; B♭-E♭” | Sondheim | (F) Take Me to the World (Evening Primrose) | The Singer's Musical Theatre Anthology vol. 2 (Soprano) | Hal Leonard HL00747066 book only or with audio access |
| 72 | E; b-e” | Sondheim | (F) The Girls of Summer (Marry Me a Little) | The Singer's Musical Theatre Anthology vol. 3 (Soprano) | Hal Leonard HL00740122 book only or with audio access |
| 73 | Am; g-b' | Sondheim | (F) Uptown, Downtown (Follies) | The Singer's Musical Theatre Anthology vol. 3 (Mezzo-Soprano) | Hal Leonard HL00740123 book only or with audio access |
| 74 | F; c'-f” [E♭] | Sondheim | What More Do I Need♭ (Saturday Night) | Singing Grade 7 from 2023 | Trinity TCL031679 (high), TCL031686 (low) (low) |
| 75 | G; A♭-c” | Tesori | (F) Not for the Life of Me (Thoroughly Modern Millie) | Thoroughly Modern Millie: Vocal Selections | Hal Leonard HL02500565 |
| 76 | F; c'-f”(a”) | Weill | It Never Was You (Knickerbocker Holiday) | Kurt Weill Songs: A Centennial Anthology vol. 1 | Alfred PF9921 |
| 77 | Dm; c'-e” [Cm] | Wildhorn | (F) In His Eyes (Jekyll & Hyde) | Singing Grade 7 from 2023 | Trinity TCL031679 (high), TCL031686 (low) (low) |
| 78 | A♭m; B♭-E♭' | Wildhorn | (M) Where's the Girl♭ (The Scarlet Pimpernel) | The Scarlet Pimpernel: Vocal Selections, Broadway Edition | Alfred PF9806 |
Group B: General Song Repertoire in English
| Key & range | Composer | Piece | Book | Publisher & Code | |
|---|---|---|---|---|---|
| 79 | A♭; E♭'-a♭” [E♭] | Adams | The Heart of a Woman (Nightsongs) | Singing Grade 7 from 2023 | Trinity TCL031679 (high), TCL031686 (low) |
| 80 | F; e'-g”/a” | Beach | Fairy Lullaby | First Solos: Songs by Women Composers vol. 1 (high voice) | Hildegard 491-00510 |
| 81 | F; d'-a” [C] | Bennett | Jewels | Jewels | Recital RM285 |
| 82 | D♭; D♭'-a♭” | Boyce | (F) By Thy Banks, Gentle Stour | Sing Solo: Soprano | OUP 9780193457805 |
| 83 | Am; b-e” | Britten | Tit for Tat | Tit for Tat | Faber 057150292X |
| 84 | A♭; E♭'-f” | Delius | The Homeward Way | The Homeward Way | Banks OSS590 |
| 85 | Bm; d'-f#” [Gm] | Delius | Twilight Fancies | Twilight Fancies | Banks OSS588 (high), OSS47 (low) |
| 86 | Fm; c'-c” | Dowland | Sorrow, Sorrow, Stay | English Lute Songs book 2 | Stainer B617 |
| 87 | D; d'-f#” | Dring | (F) Business Girls | Five Betjeman Songs | Weinberger M570052974 |
| 88 | F; f'-f” | Dring | Crabbed Age and Youth | Seven Shakespeare Songs | Thames TH978390 |
| 89 | Gm; d'-g” | Dring | The Enchantment | Six Songs | Thames TH978717 |
| 90 | D; a#-d” | Finzi | Come Away, Death | Let Us Garlands Bring | Boosey M060030345 |
| 91 | E; a-e” | Finzi | It Was a Lover and his Lass | Let Us Garlands Bring | Boosey M060030345 |
| 92 | E♭; g(E♭)-d' | Flanders & Swann | Ill Wind | The Songs of Michael Flanders and Donald Swann | Faber 0571529208 |
| 93 | F#m; c#'-f#” | A Gibbs | Silver | Silver | Boosey M060030918 |
| 94 | E♭m; D♭'-g♭” | A Gibbs | The Fields are Full | A Heritage of 20th Century British Song vol. 4 | Boosey M051909230 |
| 95 | d♭'-f”” [b♭-d””]” | Gray | Cloudy Days (Human Nature) | Singing Grade 7 from 2023 | Trinity TCL031679 (high), TCL031686 (low) |
| 96 | Em; d'-e” | Gurney | I will Go with my Father A-ploughing | A Heritage of 20th Century British Song vol. 1 | Boosey M051909117 |
| 97 | Am; G-e' | Handel | (M) Droop Not Young Lover | The New Imperial Edition of Bass Songs | Boosey M051904501 |
| 98 | B♭; B♭-E♭” | Harty | (F) Sea Wrack | The New Imperial Edition of Contralto Songs | Boosey M051904204 |
| 99 | Dm; a-f” | Hatton | (F) The Hag | The Junior Recitalist book 2 (Mezzo-Soprano/Contralto) | Stainer D82 |
| 100 | F; d'-f” | Head | A Green Cornfield | Song Album 1: Songs of the Countryside | Boosey M051922260 |
| 101 | Fm; E♭-g” | Head | A Piper | Song Album 1: Songs of the Countryside | Boosey M051922260 |
| 102 | C; g'-g” | Head | (F) Foxgloves | Song Album 1: Songs of the Countryside | Boosey M051922260 |
| 103 | Gm; B♭(g)-d” | Head | Money, O! | Money, O! | Boosey M060060601 |
| 104 | D; d'-g” | Head | Ships of Arcady | Over the Rim of the Moon | Boosey M060032479 (high), M060032462 (low) |
| 105 | Am; a-e” [Gm] | Holst | The Sergeant's Song | The Sergeant's Song | Curwen EA12610A/B |
| 106 | G; d'-g” | Howells | Gavotte | A Century of English Song vol. 1 (Soprano) or Sing Solo: Soprano | Thames TH978421 or OUP 9780193457805 |
| 107 | Gm; a-d” | Humfrey | Sleep Downy Sleep | Charles Brett's Baroque Anthology for Counter-tenor vol. 2 | Green Man CB2 |
| 108 | F; d'-g”” [E♭] [D♭]” | Ireland | If There Were Dreams to Sell | If There Were Dreams to Sell | Boosey M060832208 (high), M060832215 (medium), M060033773 (low) |
| 109 | Em; b-d” | Ireland | Sea Fever | Eleven Songs or The Complete Works for Voice and Piano vol. 2 | Stainer B040 or B597 (medium voice) |
| 110 | G; d'-e” | Jacob | (F) Mother I will Have a Husband | A Century of English Song vol. 4 (Medium/low) | Thames TH978614 |
| 111 | Gm; d'-g” | Keats | (M) Love's Secret | Love's Secret | Wirripang M720007007 🕮 |
| 112 | Dm; g'-f” | Keats | Plucking the Rushes | Plucking the Rushes | Wirripang M720007748 🕮 |
| 113 | E♭; B♭-g” [C] | King | A Lullaby for You | Singing Grade 7 from 2023 | Trinity TCL031679 (high), TCL031686 (low) |
| 114 | G; d'-d” | L'Estrange | (M) She Walks in Beauty | Love's Philosophy | Faber 0571532152 medium voice |
| 115 | Gm; B♭-c' | Lilburn | (M) Once the Strength | Sings Harry | Wai-te-ata 🕮 |
| 116 | Cm; E♭'-g” | Maconchy | Ophelia's Song | Ophelia's Song | OUP 9780193455559 |
| 117 | C#m; b-e””(g””) | Malashkin | Oh Could I but Express in Song | Oh Could I but Express in Song | Chester CH61610 |
| 118 | Gm; D♭'-E♭” | Moeran | (M) O Fair Enough Are Sky and Plain | The Chester Book of Celebrated Songs book 2 | Chester CH55318 |
| 119 | G; g-e” | Parry | (F) Dirge in Woods | The Junior Recitalist book 2 (Mezzo-Soprano/Contralto) | Stainer D82 |
| 120 | F; c'-a” | Parry | (F) My Heart Is Like a Singing Bird | Seven Songs for High Voice | Stainer B525 |
| 121 | G; d'-g” [E♭] | Purcell | An Evening Hymn (Harmonia Sacra, Z193) | 40 Songs | IMC 2071 (high), 2072 (low) |
| 122 | G; d'-f” [E] | Purcell | Hark, How All Things (The Fairy Queen, Z629) | 40 Songs | IMC 2071 (high), 2072 (low) |
| 123 | Gm; d'-g” [E♭m] | Purcell | If Music Be the Food of Love (first version: Z379A) | 40 Songs | IMC 2071 (high), 2072 (low) |
| 124 | Am; e'-f” [Fm] | Purcell | Music for a While (Oedipus, Z583) | Singing Grade 7 from 2023 | Trinity TCL031679 (high), TCL031686 (low) |
| 125 | B♭m; E♭'-g” | Quilter | Autumn Evening | 55 Songs | Hal Leonard HL00740225 (high), HL00740226 (low) |
| 126 | Em; e'-g” [Cm] | Quilter | Blow, Blow thou Winter Wind | 3 Shakespeare Songs, op. 6 | Boosey M060021893 (high), M060021886 (low) |
| 127 | D♭; f'-a♭” [B♭] | Quilter | Fair House of Joy | 7 Elizabethan Lyrics, op. 12 | Boosey M060021879 (high), M060021862 (low) |
| 128 | D; a-g” | Roe | Stop all the Clocks (‘Funeral Blues') | Seven Songs | Thames TH978412 |
| 129 | F#m; c#'-f#” [Em] | Rorem | The Nightingale | 50 Collected Songs | Boosey M051933952 (high), M051933969 (medium/low) |
| 130 | Am; d'-g” | Rubbra | Hymn to the Virgin | Two Songs | Lengnick AL1163 |
| 131 | F; c'-g♭” [D] | Stanford | The Fairy Lough | The Fairy Lough | Trinity 🕮 |
| 132 | Am; e'-a” | Stove | Love Song | Poets Alone should Kiss and Tell | Wirripang M720041063 🕮 |
| 133 | D; b-d” | Trad., arr. Holloway” | Death and the Lady | The Chester Book of Celebrated Songs book 2 | Chester CH55318 |
| 134 | E♭; D♭'-f” | Vaughan Williams | The Bird's Song (The Pilgrim's Progress) | Collected Songs vol. 3 | OUP 9780193459298 |
| 135 | Dm; c#'-E♭” | Warlock | Bethlehem Down | Bethlehem Down | Boosey M060029141 |
| 136 | F; c'-f” | Warlock | (M) Captain Stratton's Fancy | Songs 1920-1922: Warlock Society vol. 3 or Thirteen Songs for High Voice | Thames TH978102 or Stainer B060 |
| 137 | F; c'-f” | Warlock | The Countryman | Warlock Songs or Songs 1923-1926: Warlock Society vol. 6 | Boosey M060029233 or Thames TH978331 |
| 138 | Fm; E♭'-f” | Warlock | The Lover's Maze | Songs 1927-1928: Warlock Society vol. 7 or A First Book of Songs | Thames TH978375 or Banks OSS602 |
| 139 | Yates | No. 1 or 2 or 4 from Four Epigrams | Four Epigrams | Wirripang M7200041087 🕮 |
Group C: German Lied
| Key & range | Composer | Piece | Book | Publisher & Code | |
|---|---|---|---|---|---|
| 140 | A♭; d'-g♭”” [G] [F]” | Brahms | Feldeinsamkeit, op. 86 no. 2 | Lieder I | Peters EP3201a (high), EP3201b (medium), EP3201c (low) |
| 141 | D; e-g'(a') [C] [B♭]” | Brahms | (M) Minnelied, op. 71 no. 5 | Lieder I | Peters EP3201a (high), EP3201b (medium), EP3201c (low) |
| 142 | Fm; D♭'-a”” [Dm] [Cm]” | Brahms | Nachtigall, op. 97 no. 1 | Lieder I | Peters EP3201a (high), EP3201b (medium), EP3201c (low) |
| 143 | G; d'-g#”” [E] [E♭]” | Brahms | Ständchen (‘Der Mond steht'), op. 106 no. 1 | Lieder I | Peters EP3201a (high), EP3201b (medium), EP3201c (low) |
| 144 | D; d'-d” | J W Franck | O angenehme Nacht | Charles Brett's Baroque Anthology for Counter-tenor vol. 2 | Green Man CB2 |
| 145 | F#m; c#'-f#” [Dm] | Mendelssohn | Schilflied, op. 71 no. 4 | Schilflied, op. 71 no. 4 | Trinity 🕮 |
| 146 | F; c'-f” [E♭] | Mendelssohn- Hensel | Nachtwanderer | Nachtwanderer | Trinity 🕮 |
| 147 | E♭; E♭'-g” | C Schumann | Liebeszauber | Sämtliche Lieder vol. 1 | Breitkopf EB8558 |
| 148 | A; f#'-f#” [G] | R Schumann | Röselein, Röselein, op. 89 no. 6 | Lieder vol. 3 | Peters EP2385a (high), EP2385b (medium) |
| 149 | B♭; f'-f”” [A♭] [G]” | Schubert | Ave Maria (Ellen's dritter Gesang), D839 (in German, not Latin) | Lieder vol. 1 | Peters EP20a (high), EP20b (medium), EP20c (low) |
| 150 | A♭; c'-g♭” [F] | Schubert | (M) Das Fischermädchen (Schwanengesang, D957) | Singing Grade 7 from 2023 | Trinity TCL031679 (high), TCL031686 (low) |
| 151 | A♭; E♭'-f”” [G] [F]” | Schubert | Frühlingsglaube, D686, op. 20 no. 2 | Lieder vol. 1 | Peters EEP20a (high), EP20b (medium), EP20c (low) |
| 152 | Cm; c'-f♭”” [Cm] [B♭m]” | Schubert | Schäfers Klagelied, D121 | Lieder vol. 1 | Peters EP20a (high), EP20b (medium), EP20c (low) |
| 153 | E♭; d'-a♭” | Stölzel (previously attrib. J S Bach) | Bist du bei mir (in German) | Elisabeth Schumann Liederbuch | Universal UE9559 |
| 154 | E; c#'-g#”” [D] [C]” | Strauss | All mein' Gedanken, op. 21 no. 1 | Lieder vol. 2 or Elisabeth Schumann Liederbuch | Universal UE5464a/b/c (high/med/low) or UE9559 |
| 155 | Am; e'-f” [Gm] | Wolf | Das verlassene Mägdlein (Mörike Lieder no. 7) | Gateway to German Lieder | Alfred 17611 (high), 17617 (low) |
| 156 | B; A♭'-g” [A♭] | Wolf | (F) Ein Stündlein wohl vor Tag (Mörike Lieder no. 3) | Mörike Lieder vol. 1 | Peters EP3140a (high), EP3140b (low) |
| 157 | D; a'-g” [C] | Wolf | Der Gärtner (Mörike Lieder no. 17) | Ausgewählte Lieder | Peters EP4290a (high), EP4290b (low) |
| 158 | Em; g'-f#” [Cm] | Wolf | Nun wandre Maria (no. 3 of Spanisch Liederbuch 1) | Ausgewählte Lieder | Peters EP4290a (high), EP4290b (low) |
Group D: French Mélodie
| Key & range | Composer | Piece | Book | Publisher & Code | |
|---|---|---|---|---|---|
| 159 | F; e'-g” [E♭] | Bizet | Chanson d'Avril | 20 Mélodies | Choudens AC2485 (soprano/tenor), AC2486 (mezzo/baritone) |
| 160 | Fm; d'-g” [Em] | Bizet | Pastorale | 20 Mélodies | Choudens AC2485 (soprano/tenor), AC2486 (mezzo/baritone) |
| 161 | F; a-f” [E♭] | Chaminade | Mignonne | Women Composers: A Heritage of Song | Hal Leonard HL00740270 (high), HL00740271 (low) |
| 162 | D; d'-g#” | Debussy | Romance: l'âme évaporée | Songs of Claude Debussy vol. 2 (medium voice) | Hal Leonard HL00660283 |
| 163 | Em; e'-g” [Cm] | Fauré | Au cimitière | 50 Songs for high (or medium/low) voice | Hal Leonard HL00747071 (high), HL00747070 (medium/low) (medium/low) |
| 164 | Cm; g'-g”” [Am] or Cm [Gm]” | Fauré | Clair de lune | 50 Songs for high (or medium/low) voice or The Language of Song: Intermediate | Hal Leonard HL00747071 (high), HL00747070 (medium/low) (medium/low) or Faber 0571523439 (high), 0571523447 (low) |
| 165 | A♭; E♭'-f” [G] | Fauré | Mandoline (Cinq mélodies ‘de Venise') | 50 Songs for high (or medium/low) voice | Hal Leonard HL00747071 (high), HL00747070 (medium/low) |
| 166 | G♭; G♭'-a♭” [D] | Fauré | Nell | 50 Songs for high (or medium/low) voice | Hal Leonard HL00747071 (high), HL00747070 (medium/low) |
| 167 | Cm; g-a♭” [B♭m] | Fauré | (M) Sérénade toscane | 50 Songs for high (or medium/low) voice | Hal Leonard HL00747071 (high), HL00747070 (medium/low) |
| 168 | A; c#'-f#” | Hahn | (F) L'incrédule | Mélodies vol. 1 | Heugel HE8315 |
| 169 | D♭; D♭'-f” [D♭] | Poulenc | Fleurs | The Art of French Song vol. 2 | Peters EP7520a (high), EP7520b (medium/low) |
| 170 | D♭; c#'- G♭””(E♭””) | Poulenc | (F) Les chemins de l'amour | Les chemins de l'amour | Eschig ME00622201 |
| 171 | b-f#” | Poulenc | Le disparu | Le disparu | Salabert SLB00536300 |
| 172 | F; e'-f” [D] | Saint-Saëns | Chanson triste | Chanson triste | Trinity 🕮 |
| 173 | C; d'-g” | Satie | Je te veux | Je te veux | Salabert SLB00461400 |
| 174 | D; d'-e”” (f#””) [B♭]” | de Séverac | Ma poupée chérie | Singing Grade 7 from 2023 | Trinity TCL031679 (high), TCL031686 (low) |
| 175 | E♭; E♭'-E♭” | Trad., arr. Hopkins” | Gai lon la | Five French Folk Songs | Chester CH04051 |
Group E: General Song Repertoire in other languages
| Key & range | Composer | Piece | Book | Publisher & Code | |
|---|---|---|---|---|---|
| 176 | F; c'-a” [D] | J S Bach/ Gounod | Ave Maria | Sing Solo: Sacred | OUP 9780193457843 (high), 9780193457850 (low) |
| 177 | B♭; d'-f” [F] | Bellini | Vaga luna, che inargenti | Singing Grade 7 from 2023 | Trinity TCL031679 (high), TCL031686 (low) |
| 178 | F; d'-f” [D] | Bononcini | Per la gloria d'adorarvi (ornaments must be included, either those published or candidate's own) | 26 Italian Songs and Arias | Alfred 3402 (medium high), 3403 (medium low) (with CD: 3396/3397 |
| 179 | F; c-d' | Bononcini | (M) Pupille nere (in Italian only) | The New Imperial Edition of Bass Songs | Boosey M051904501 |
| 180 | D; c#'-f#”” (a”) | Donizetti | La conocchia (Nuits d'été à Pausilippe) | The Language of Song: Advanced - high voice or Composizioni da camera vol. 1 | Faber 0571530753 or Ricordi NR13033000 |
| 181 | Cm; f'-f” [A♭m] | Dvořák | Oh, Lord, Have Mercy and Turn Thou Thy Face to Me | Biblical Songs, op. 99 | Bärenreiter Praha H1758 (high), H1560 (low) |
| 182 | E; e'-f#” [B] | Dvořák | Oh, my Shepherd is the Lord | Biblical Songs, op. 99 | Bärenreiter Praha H1758 (high), H1560 (low) |
| 183 | G; e'-g” | Elwyn- Edwards | Y Gwanwyn (Spring) (in Welsh only) | Caneuon y Tymhorau (Songs of the Seasons) | Curiad 9003 |
| 184 | Gm; d'-a” | Granados | Amor y odio | Anthology of Spanish Song | Hal Leonard HL00740147 (high), HL00740148 (low) |
| 185 | Dm; G-d' | Legrenzi | (M) Cessa d'esser amante | Three Cantatas | Green Man Leg1 |
| 186 | A; e'-f#” [F] | Scarlatti | Le violette | 26 Italian Songs and Arias | Alfred 3402 (medium high), 3403 (medium low) (with CD: 3396/3397 |
| 187 | F; c-E♭' | Sibelius | Verirrt, op. 17 no. 4 (in Finnish, German or English) | 15 Selected Songs | Breitkopf EB6943 |
| 188 | A; d-g' | Stradella | (M) Region sempre addita | Arie Antiche vol. 1 | Ricordi NR05025100 |
| 189 | E♭; d'-g” [C] | Tchaikovsky | None but the Lonely Heart, op. 6 no. 6 (in Russian or English) | Songs vol. 1 (high) or Songs vol. 2 (low) | Boosey M060097980 (high) or M060097997 (low) |
| 190 | Bm; d'-f#” [Gm] | Viardot | Canción de la infanta | Singing Grade 7 from 2023 | Trinity TCL031679 (high), TCL031686 (low) |
| 191 | F; a-e” | Villa-Lobos | Tu passaste por este jardin | Tu passaste por este jardin (Chansons typiques brésiliennes) | Eschig ME00261000 |
at the foot
Books marked 🕮 may be unavailable or require a custom printing in the U.K. Please contact us by email for more information
Trinity Singing Exams syllabus validity
Trinity's Singing Syllabus no longer operates with an end date. All song choices remain valid until further notice. Planned updates will be announced at least 12 months in advance.
Trinity will continue to increase the repertoire available to candidates through a continual programme of new publication releases. Most repertoire and technical pieces will remain indefinitely*. You will find information about new publication releases on
Chimes Exam Search tool
Please use the Chimes Exam Search tool, or, alternatively, please email us and we would be happy to assist in finding your exam music for you.
SEARCH BOX
This change in approach makes Trinity exams more accessible, provides rich, and ever-increasing, repertoire to choose from, and encourages candidates to continue singing the music they love for as long as they wish.
< Back to Trinity Exams
< Back to Exam Essentials
Photocopies & downloads
Candidates should not perform from unauthorised photocopies (or other kinds of copies) or illegal downloads of copyright music in examinations. In the UK, certain circumstances limit the use of copybooks in examinations. The MPA's Code of Fair Practice gives further guidance. The applicant should apply to the copyright holder and obtain permission before making a copy for an examination. Candidates and Applicants must act within the law with regard to copyright.